by William H. Calvin ‧ RELEASE DATE: March 1, 2004
As always, the author’s erudition demands close attention but makes science entertaining and accessible for the layman.
How the mental life of humans has come to differ from that of the other great apes, and speculations about what lies ahead.
Calvin (Neurobiology/Univ. of Washington, Seattle) returns to his favorite subject (How Brains Think, 1996 etc.)—and, inspired by Stephen Hawking’s A Brief History of Time, produces a capsule history of the mind beginning seven million years ago, the time of the common ancestor of humans and other great apes. Calvin places the first brain boom at some 2.5 million years ago with the emergence of the first Homo species. Yet while the Homo sapiens of 100,000 years ago were anatomically modern and may have had some sort of protolanguage, it is only in the last 50,000 years that the modern mind of Homo sapiens sapiens appears, as evidenced by cave paintings and decorative carvings. To set the stage for the burst of creativity that he refers to as “The Mind’s Big Bang,” Calvin shows what the great apes are capable of. Bonobos, for example, are sociable in humanlike ways, but do not show evidence of foresight or much creativity. It is the step up to syntax, or structured thought, says Calvin, that distinguishes the modern brain and tunes it up to do other structured tasks—multistage planning, chains of logic, narratives, discovering hidden order, imagining how things hang together. As a “first of its kind,” Calvin cautions, the human intellect is very new in the scheme of things, a sort of version 1.0, prone to malfunctions and not yet well tested. Thus, he sees precarious times ahead as the speed of technological advance far outstrips ponderous political reaction times and society’s slow pace at problem-solving and consensus-building. Humans are also vulnerable, he warns, to climatic, economic, or diseased-caused “lurches” that we must become more competent at managing. Cultural innovation, not biological evolution, he says, holds the key to the future success of our species.
As always, the author’s erudition demands close attention but makes science entertaining and accessible for the layman.Pub Date: March 1, 2004
ISBN: 0-19-515907-1
Page Count: 220
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2004
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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