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THE DAY THE REVOLUTION BEGAN

19 APRIL 1775

The premise has the potential to pull together a wide range of responses to the first battles of the Revolution, but slick,...

A brisk, lightweight overview of the beginnings of the American Revolution, tracing the reactions of patriots and loyalists as news of the Battles of Lexington and Concord traveled from Boston through New York and Philadelphia to the southern states and abroad.

The text zigzags awkwardly between reporting of the battles themselves and the progress of the news, and extended flashbacks and flash-forwards to future events create an anthology of anecdotes rather than a synthesis. The narrative thread is overwhelmed by descriptions of major and minor participants in the action. Hallahan (Misfire, 1994) conscientiously studs his descriptions with striking details—Daniel Leonard’s gold-trimmed cloak, John Hancock’s ravenous appetite—but the parade of brief, stereotypical sketches inevitably palls without the evocation of a larger context. The description of the arrival of the news in New York has some flair, conveying the frantic scrambles of the city’s Loyalist aristocrats, and the “Philadelphia” chapter offers memorable vignettes of women who claimed the Revolution as their own cause. That chapter also reflects Pennsylvania’s religious diversity, but African-Americans and the substantial number of non-British immigrants get short shrift throughout. Instead, Hallahan recapitulates already-familiar material, such as George Washington’s competition with Charles Lee for the command of the Continental Army, and the delivery of Patrick Henry’s “Give me liberty or give me death” speech at the Second Virginia Convention earlier in 1775. Discussions of major figures are marred by sweeping, unsupportable pronouncements (such as Hallahan’s claim that Samuel Adams “invented the art of revolution”). The last chapter offers follow-up information on the major characters; a useful appendix lists “Drumbeats toward Revolution” from 1760 to 1775.

The premise has the potential to pull together a wide range of responses to the first battles of the Revolution, but slick, simplistic prose and one-dimensional characterizations create the flat effect of advertising copy, not the complexity and texture of history. (illustrations)

Pub Date: April 19, 2000

ISBN: 0-380-97616-1

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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THE LAST OF THE PRESIDENT'S MEN

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.

Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Pub Date: Oct. 13, 2015

ISBN: 978-1-5011-1644-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 20, 2015

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21 LESSONS FOR THE 21ST CENTURY

Harari delivers yet another tour de force.

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A highly instructive exploration of “current affairs and…the immediate future of human societies.”

Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.

Harari delivers yet another tour de force.

Pub Date: Sept. 4, 2018

ISBN: 978-0-525-51217-2

Page Count: 400

Publisher: Spiegel & Grau

Review Posted Online: June 26, 2018

Kirkus Reviews Issue: July 15, 2018

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