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PLAGUES AND PEOPLES

McNeill's global history of infectious disease and its effect on the political destinies of men is built on a stunning analogy: the "microparasitism" of viruses and bacteria—carriers of typhoid, malaria, et al.—is intimately bound up with the "macroparasitism" of human predators, be they Chinese warlords, Roman soldiers, or Spanish conquistadors. Epidemological upheavals produce disarray in political and social structures; conversely microparasitic stability which allows for population growth and food surpluses seems to be a prerequisite of macroparasitic equilibrium. McNeill develops this thesis initially by examining the "disease pools" of ancient China, the Indian subcontinent, and the Mediterranean. Rome's decay between 200 and 600 A.D. demonstrates that when a new disease (in this case smallpox and measles) strikes a previously unexposed population, catastrophic die-offs occur. Much later, the age of oceanic exploration (1450-1550) brought similar cataclysms to Mexico and Peru where the native Amerindian populations (who had no immunity to Eurasia's "common childhood diseases") died off by the millions. Nothing escapes McNeill's reckoning: the Hindu caste system; the impetus epidemics gave to early Christianity which stressed the evanescence of human life and—no small matter—the nursing and care of the sick; the lethal blow which the advent of the bubonic plague in 14th-century Europe dealt to the rational theology of Acquinas; the "disease barrier" which until the 19th century kept the technologically advanced "macroparasites" of European imperialism from effective penetration of Africa. To be sure the scanty and often indecipherable medical writings of the ancient world force McNeill to rely on a great deal of speculation, deduction, and even guesswork. The book will provoke arguments from countless specialists. No matter. Plagues and People, a glorious successor to The Rise of the West, integrates ecology and demography with politics and culture on a vast scale. A brilliantly conceptualized and challenging scholarly achievement.

Pub Date: Sept. 10, 1976

ISBN: 0385121229

Page Count: 372

Publisher: Anchor

Review Posted Online: May 21, 2012

Kirkus Reviews Issue: Sept. 1, 1976

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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