A swift, inspired, and thought-provoking examination of the intersections of heroism, racial identity, and diversity.
A concise, mindful discussion of race, culture, and the politics of celebrity.
In his chapbook-length essay, London-based poet and critic Harris (All This Is Implied, 2017) brings two well-known personalities into vivid focus to compare and contrast their experiences as biracial “supermen” within their own separate arenas. The author explores the lives and legacies of Barack Obama and Keanu Reeves from the perspective of their mixed-race heritages and how that particular aspect drew power, honor, and visibility to their work and to their names. The author believes many mixed-race people approach society with hesitation and perpetual confusion, much like he does as a lifelong Londoner of mixed Indonesian and Dutch heritage. Harris envisions mixed-race supermen, embodied by Obama and Reeves, as those who manage to defy simplistic stereotyping and have figured out “how to make their confusion heroic, to embody contradiction.” The author recalls his fascination with the former president as a proud, intelligent politician who “not only looked different, but talked beautifully—and knowingly—of his mixed-race upbringing. Here was a story that was long and painful but seemed to bend implacably toward justice.” As the iconic Neo character in the Matrix films, Reeves can also be considered a mixed-race superhero, fending off multiplying CGI agents of doom and attempting to survive amid legions of detractors. Where Harris shines brightest and is most convincing is when he integrates into the discussion his personal history, heritage, and racial impressions and experiences. He cites violent crimes occurring in the 1980s and ’90s whose investigations were hindered and ultimately mishandled due to racial profiling as well as his frustrations with his parents’ indifference when confronted with racial bias in various scenarios. An observant writer, Harris shares illuminating intellectual analysis that incorporates philosophical introspection (he notes Reeves’ “Nietzschean streak”), references to Greek mythology, and American politics in a stimulating narrative of civil rights activism, pop-culture heroism, and the multilayered, heroic struggle of people of color.
A swift, inspired, and thought-provoking examination of the intersections of heroism, racial identity, and diversity.Pub Date: July 2, 2019
ISBN: 978-1-61219-789-0
Page Count: 128
Publisher: Melville House
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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