Thompson (Imaginary Landscape, 1989; Pacific Shift, 1986, etc.) levels his futurist's gaze on the technology of fantasy and illusion, which, he says, is transforming nearly all spheres of life. With wry wit, Thompson delivers a scary vision of an increasingly dehumanized world in which America—``an electronic Umwelt in which history is replaced with movies, education is replaced with entertainment, and nature is replaced with technology''—is busy conquering all the world's cultures with its anticultural religion of Disney. The natural world, including the human, the author predicts, will give way to the new creation of new businesses: biospheres that capture the genetic capital of medicinal plants; electronic advances that make flesh obsolete; virtual-reality suits that manufacture experiences for those who sit within them. In his riveting tour through Disney's EPCOT Center, his description of the ``electropeasantry'' that votes on the basis of like and dislike, and his discussion of whether the coming world is an incarnation of the demon Ahriman, Thompson offers a range of disturbing material on the dark side of so-called progress. Also notable is his analysis of why the Gulf War, even if engineered, had to occur to prevent a splintering of the world into ethnic rivalries. Sobering and powerful when diagnosing the ills technology is ushering in; less convincing when searching for a positive ``evolutionary'' purpose for such transformations.
Pub Date: Oct. 1, 1991
ISBN: 0-385-42025-0
Page Count: 160
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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