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A CAT NAMED DARWIN

HOW A STRAY CAT CHANGED A MAN INTO A HUMAN BEING

A perceptive and intelligent tribute to man’s other best friend.

A nature writer’s transforming encounter with a stray cat, described in a perfectly pitched account that nicely balances sentiment and science.

In his mid-40s, a self-employed bachelor who enjoyed his freedom, Jordan (Divorce Among the Gulls, not reviewed) was a self-confessed dog person. But then a cat entered his life and, as he observes, stole his heart. Called Darwin in homage to the great biologist, the animal imparted lessons not only about cats, but about humans and life itself. As he describes his encounters with Darwin and the fabric of their evolving relationship, Jordan also traces the evolutionary biological changes that differentiate cats from humans, cats’ genetic inheritance (their remarkable geographic sense and spatial awareness), and the difference between wild and domesticated cats. (The latter live in prolonged kittenhood, dependent on others for affection and food.) Jordan first saw Darwin lying near his apartment block’s trashcans and impulsively leaned down to stroke the unkempt orange tabby. In typical cat fashion, he purred and then bit Jordan’s hand. Instead of being angry, the bemused author found himself buying cat food and feeding Darwin, who quickly persuaded Jordan to let him come indoors. Soon, the author ruefully admits, he was in a relationship with a cat: talking to Darwin, using endearments, missing him when away. A checkup at the vet revealed that the cat had feline leukemia and the prognosis was uncertain. In the year that followed, Jordan battled to save Darwin, and though the fight was ultimately lost, he was surprised by “an unexpected sense of self-worth” gained by taking care of his pet. Grieving, he lists the things he learned from Darwin: respect and love of life; the value of loyalty and commitment; the fact that the human mind is “is meant to embrace others.”

A perceptive and intelligent tribute to man’s other best friend.

Pub Date: Nov. 12, 2002

ISBN: 0-395-98642-7

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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