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THE GOOD NEIGHBOR

An uneven fourth outing by Kowalski (The Adventures of Flash Jackson, 2003, etc.), with a unique and nicely textured...

An engaging if overwritten tale about a Manhattan couple changed by a house in the country.

On a Sunday drive, Coltrane and Francie Hart, a severely mismatched pair (she’s a medicated manic-depressive and lapsed poet; he’s a Type-A stock trader) stumble on their dream house. Francie sees it as a place to resume writing poetry; Colt as a weekend spot for entertaining colleagues. On moving day, Francie realizes she’s forgotten her medication and decides to try life without it. Implausibly, the only result is that her judgment is clearer—and she begins to see Colt for the unfeeling monster he is. When Francie discovers the diary of Marly Musgrove, the mid-19th-century woman of the house, she realizes there’s a cemetery in back filled with Musgrove bodies. The result: Colt insists they be removed, angering a next-door neighbor who’s a relative of the buried family. The neighbor kidnaps Colt and forces him to collect the displaced remains from a junkyard. Colt ends up in the hospital, where morphine-induced dreams about his own judgment day lead him to an extreme and unlikely turn. He helps his dying father get out of prison (after spending the last several years pretending he was dead); drops the charges against the neighbor; and apologizes to Francie. Colt is the novel’s weakest link, and, unfortunately, gets the most attention; by the time he turns over a new leaf, he’s already been portrayed as so emotionally detached that it’s difficult to believe (or care about) his new self. Throughout, the Musgroves’ tragedy-laden family history, including a well-paced revelation about a murder in the family, is skillfully woven into the story, and serves as an interesting backdrop to Francie and Colt’s domestic trials. But Kowalski’s eye for detail and character is so much stronger in the Musgrove passages that one wishes the Harts were nearly as believable and compelling.

An uneven fourth outing by Kowalski (The Adventures of Flash Jackson, 2003, etc.), with a unique and nicely textured historical subplot that’s outweighed by the plodding tone and somewhat convoluted main story.

Pub Date: Dec. 1, 2004

ISBN: 0-06-621137-9

Page Count: 416

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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