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DRIFTWOOD DAYS

Content and style, structure and illustrations combine to make this a beautiful and satisfying story.

Readers follow a branch as it bobs down a river and out to sea, where it transforms into driftwood.

The story begins “under autumn leaves”: A brown-skinned boy watches a beaver constructing its lodge in the river. A branch breaks loose from the structure and is carried down river until it snags on a boulder, where it stays all winter as the river freezes. When spring returns and the river thaws, the branch moves on, making a stop at the river’s edge, where turtles climb on it. When the branch floats out to sea, weary birds use it as a resting place. When the waves finally carry it to shore, “the summer sun bleaches its dark hues” until the same boy, vacationing with his family on the shore and “looking for beach-things,” finds it and picks it up. For the boy, it is everything: a pen, a sword, a souvenir. At summer’s end, the boy and his family return home to the mountains, where, once again, he watches a beaver constructing its lodge. Vess’ drawings, done in colored pencil and ink, are soft and detailed, with elements of line and motion that draw the eye all over the page. The background holds interesting changes throughout: families of different species and signs of new seasons, various habitats. The text educates stealthily, never sacrificing the soothing, poetic, and cyclical story, which has the makings of a classic. An author’s note discusses the importance of driftwood to the ecosystem.

Content and style, structure and illustrations combine to make this a beautiful and satisfying story. (Picture book. 3-9)

Pub Date: Oct. 22, 2019

ISBN: 978-0-8028-5370-7

Page Count: 48

Publisher: Eerdmans

Review Posted Online: Aug. 27, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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