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CITY OF THE SOUL

A WALK IN ROME

As a young man, newly returned to Rome and insufficiently hungry to learn its fabulous history, Murray was upbraided by an...

From the deft pen of New Yorker writer Murray (Janet, My Mother, and Me, 2000, etc.), an amiable, unhurried, and character-driven walking tour of Rome.

The author has lived in the Eternal City on and off throughout his life: as a child, as a student after WWII, as a correspondent for Time-Life and the New Yorker, more recently for a visit in the spring every year with his wife. Though Murray delights in watching the contemporary world pass by from a café table with a coffee at his elbow, “the great fact of life in Rome is residence among the ruins,” he writes, taking pains to familiarize readers with his favorite wrecks and relics. Naturally, he brings to life the Colosseum, the Pantheon, the Circus Maximus, and other famed monuments. But in this “city that makes demands upon your attention, that requires a commitment to leisurely exploration” (which Murray is happy to oblige), he is at his best coaxing evocations from a few personal favorites: a statue of that old reprobate Silenus lying in a bathtub and holding a small bagpipe; an open-air market where he buys a small print from a dealer who “seemed to blend into his merchandise”; the wondrous elliptical space of Piazza Navona; the ancient houses and narrow alleys of the Jewish ghetto; the “talking statues,” the most famous being Pasquino, upon which Romans once affixed epigrams expressing their contempt for the papal government. And then there are the people: “cheerful, energetic, cynical, self-absorbed, shrewd, suspicious, profoundly human,” who have the knack for getting by. One feels instantly comfortable in Murray’s hands; his sense of Rome and Romans is broad, deep, and idiosyncratic, with a sure instinct for the good stuff.

As a young man, newly returned to Rome and insufficiently hungry to learn its fabulous history, Murray was upbraided by an aunt for his ignorance: “You cannot live in Rome like a barbarian.” He took her advice to heart and learned his lessons well.

Pub Date: Feb. 1, 2003

ISBN: 0-609-60614-X

Page Count: 144

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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