by William Pfaff ‧ RELEASE DATE: Nov. 5, 2004
Pfaff’s thesis is elusive and his narrative allusive, but this long essay on the dangers of giving intellectuals too much...
A most literary book on the fine distinctions and fanatical actions born of wanting to make heavens on earth.
Or, if not heavens on earth, to keep chivalry—or something like it—alive. Long gone are the days when men could come together, joust, and go home; the world has seen little of the like since WWI, before which, foreign correspondent Pfaff (The Wrath of Nations, 1993, etc.) writes, the code of chivalry “considered war as a national recourse which was limited, tolerable in its employment of violence, a legitimate if extreme instrument of national policy that nonetheless posed no threat to the existence of states or to the nature of society.” No more, of course, and though Pfaff finds room for al Qaeda on the rational side of the rational-irrational spectrum—terrorism with a recognizable goal of, say, removing American troops from Saudi Arabia is materially different, he says, from terrorism with an unattainable goal of creating a perfect society—he’s more concerned with finding out what happened in Europe in “the inner history of the twentieth century,” when chivalry gave way to mass murder and total war. Among his subjects: the deadly clown Gabriele D’Annunzio, who made a little protofascist cloud-cuckoo-land in Fiume, an Italian enclave in Croatia, and inspired Mussolini to take the project large-scale; T. E. Lawrence, of Arabia, “the last hero,” who encouraged generations of men to seek the beautiful in violence, as did Ernst Jünger, the German writer/soldier who so repented that quest that he took to saluting the unfortunates who wore the Star of David armband; and Arthur Koestler, who so wanted a perfect society that he moved to the Soviet Union to volunteer as a tractor driver, only to end up in England living in the paradise of paranormal psychology.
Pfaff’s thesis is elusive and his narrative allusive, but this long essay on the dangers of giving intellectuals too much power and influence—as grave as giving them to morons—is full of useful provocations.Pub Date: Nov. 5, 2004
ISBN: 0-684-80907-9
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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