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THE BULLET’S SONG

ROMANTIC VIOLENCE AND UTOPIA

Pfaff’s thesis is elusive and his narrative allusive, but this long essay on the dangers of giving intellectuals too much...

A most literary book on the fine distinctions and fanatical actions born of wanting to make heavens on earth.

Or, if not heavens on earth, to keep chivalry—or something like it—alive. Long gone are the days when men could come together, joust, and go home; the world has seen little of the like since WWI, before which, foreign correspondent Pfaff (The Wrath of Nations, 1993, etc.) writes, the code of chivalry “considered war as a national recourse which was limited, tolerable in its employment of violence, a legitimate if extreme instrument of national policy that nonetheless posed no threat to the existence of states or to the nature of society.” No more, of course, and though Pfaff finds room for al Qaeda on the rational side of the rational-irrational spectrum—terrorism with a recognizable goal of, say, removing American troops from Saudi Arabia is materially different, he says, from terrorism with an unattainable goal of creating a perfect society—he’s more concerned with finding out what happened in Europe in “the inner history of the twentieth century,” when chivalry gave way to mass murder and total war. Among his subjects: the deadly clown Gabriele D’Annunzio, who made a little protofascist cloud-cuckoo-land in Fiume, an Italian enclave in Croatia, and inspired Mussolini to take the project large-scale; T. E. Lawrence, of Arabia, “the last hero,” who encouraged generations of men to seek the beautiful in violence, as did Ernst Jünger, the German writer/soldier who so repented that quest that he took to saluting the unfortunates who wore the Star of David armband; and Arthur Koestler, who so wanted a perfect society that he moved to the Soviet Union to volunteer as a tractor driver, only to end up in England living in the paradise of paranormal psychology.

Pfaff’s thesis is elusive and his narrative allusive, but this long essay on the dangers of giving intellectuals too much power and influence—as grave as giving them to morons—is full of useful provocations.

Pub Date: Nov. 5, 2004

ISBN: 0-684-80907-9

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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