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A MIDSUMMER NIGHT'S DREAM

From the Manga Classics series

Shakespeare’s fantastical dream in an appealing format that can be shared with a wider audience.

Manga that brings to life Shakespeare’s classic romantic comedy.

This third entry in Manga Classics’ adaptations of Shakespeare’s plays maintains their practice of reproducing the full text of the original. The black-and-white illustrations allow readers to easily follow the plot while also picking up on subtle themes that are significant to understanding the play. For example, the abundant imagery surrounding the moon is emphasized by the moon’s presence in the backgrounds of many panels throughout the book, drawing readers’ attention. Long dialogues are also explained visually, which allows young readers to grasp what is being discussed without the need for a glossary or translation into modern English. The nobility is portrayed in a typical manga fashion with large eyes, small noses, and well-defined ears—but with appropriate Grecian clothing—while the commoners are easily visually distinguishable from them in style. The guide to reading manga at the beginning unfortunately describes the right-to-left reading order as “backwards from the normal books you know,” a strangely judgment-laden description for a book using manga to broaden the cultural exposure of young readers. However, the creators’ notes at the end offer fascinating insights into the adaptation process and may inspire budding manga artists to attempt their own works.

Shakespeare’s fantastical dream in an appealing format that can be shared with a wider audience. (cast, creators’ notes, character design sheet) (Graphic fiction. 12-18)

Pub Date: April 16, 2019

ISBN: 978-1-947808-10-2

Page Count: 400

Publisher: Manga Classics

Review Posted Online: Feb. 12, 2019

Kirkus Reviews Issue: March 1, 2019

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THE ODYSSEY

Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)

Pub Date: Oct. 1, 2010

ISBN: 978-0-7636-4266-2

Page Count: 256

Publisher: Candlewick

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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WE COULD BE MAGIC

A whimsical, enchanting, and celebratory read.

Seventeen-year-old Tabitha Laurie has been a devoted fan of Sommerland theme park since she was a little girl.

Tabi, who has dark brown skin and Afro-textured hair, believes in the magic Sommerland offers—including the promise of true love—especially after facing the shock of her parents’ divorce. After securing a position in the park’s summer program for high schoolers, Tabi is excited, declaring that “happily ever after begins with working at Sommerland.” But she quickly learns that other employees don’t feel the same enthusiasm and in fact have numerous complaints about the guests and work conditions. Despite this, Tabi dreams of becoming a character actor—in particular Princess Madeline, the brown-skinned princess she was thrilled to meet as a child. But she’s assigned to a nacho stand instead. She auditions for one of the coveted princess positions but quickly learns that “there are no fat princesses in Sommerland.” As Tabi navigates her feelings of insecurity, she tries not to lose her sense of the park’s magic. The bright, colorful illustrations, which emphasize the characters’ emotions, set the stage for a delightfully affirming story of learning to accept yourself despite what others may say. Even with the very quick pacing, the storytelling is strong. Meyer explores themes of body positivity and bullying as Tabi contends with cutting comments about her size but ultimately creates and spreads joy with support from those who value her as she is.

A whimsical, enchanting, and celebratory read. (Graphic fiction. 12-18)

Pub Date: June 3, 2025

ISBN: 9781250379399

Page Count: 256

Publisher: Feiwel & Friends

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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