A casual yet crafty interplay of fantasy and sibling psychology: disturbing, funny, and occasionally even touching.
More wonderful weirdness from the author of Interstellar Pig and The Green Futures of Tycho.
Harry and Barry Krasner of Boston are 16-year-old identical twins; Barry is domineering, boastful, and hates being a twin; Harry (the narrator) is timid, thoughtful, and—despite everything—devoted to Barry. So, when the Krasner family inherits an old house in Illinois from a virtually forgotten great-uncle, Barry immediately comes up with a plan for the twins to spend two weeks checking out this new acquisition. Harry, as usual, passively agrees. And soon the boys are prowling around Uncle Ambrose's creepy manse, viewing his enormous collection of odd animal-skeletons ("Hey! This thing has six legs!"), and finding the key to the strange "playhouse" out in the back yard. Could any of these discoveries be connected to nasty local rumors—involving disappearing animals—about the late Uncle Ambrose? They could indeed—especially when freshly shaved Barry gets locked in the playhouse for a few seconds. . . and emerges with five-o'clock shadow, sure that a whole day has passed!! The explanation? "Time goes faster in there," of course. (There's further, sad proof when Harry's dog Fred, accidentally locked in the playhouse for a few minutes, dies of starvation.) But why does time go faster inside the playhouse? Because the star-rock beneath the playhouse is a "singularity" (a.k.a. black hole); furthermore, on the other side of the rock is another universe; and, from time to time, matter from this other universe (bizarre creatures, mundane garbage) is thrown into our universe—via the plumbing pipes in the playhouse. Wisely, however, Sleator doesn't allow whimsical sci-fi speculation to overwhelm this shrewdly balanced novel. Instead, the focus remains on the Barry/Harry tension—which escalates when Barry threatens to lock himself in the playhouse long enough to age a year (and escape twinship)! But, asserting himself for once, it's Harry who secretly, as Barry sleeps, undertakes the playhouse ordeal: while only a couple of hours pass outside, Harry survives the boredom and panic of a year inside the play-house—watching the approach of a scary creature from that other universe, reading Moby Dick, Anna Karenina, and The Way of All Flesh. ("There was a certain satisfaction in the knowledge that I was doing a significant amount of the rest of life's homework.")
A casual yet crafty interplay of fantasy and sibling psychology: disturbing, funny, and occasionally even touching.Pub Date: April 1, 1985
ISBN: 0140375988
Page Count: 180
Publisher: Dutton
Review Posted Online: May 9, 2012
Kirkus Reviews Issue: March 15, 1985
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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