Storandt paints a beckoning picture for the life he has chosen and now lives so well. (13 b&w photographs, 2 maps, 1...




A trim memoir of a man discovering his sexuality and a love of sailing in one, mostly serendipitous, turning.

By the time freelance writer Storandt decides to build a 33-foot cutter, the Clarity, he has decided upon the greater course of his life: the free expression of his homosexuality and a desire to spend as much of his earthly time aboard the boat exploring all the lands he can sail to. A graduate of Juilliard, grabbing part-time work here and there as was the manner in the late 1960s, Storandt moved with his girlfriend to northern Vermont to get a true taste of self-sufficiency and the rural pastoral, but was just as busy hiding his sexuality—yet increasingly drawn to it. It took him another decade to finally get it together to live as an openly gay man, and when he does, it comes as a gust of relief to the reader, for he had been fumbling around at the margins for so long. After the Clarity is built, with the usual financial ruination, he and his partner Brian—by now in a three-year relationship—ship out for a yearlong cruise down to the Lesser Antilles. Braided into this mix of coming-out and sailing stories is his and Brian's current adventure: sailing across the Atlantic to Brian’s native Scotland (with another chum, Bob). Storandt's writing has a comfortable ease to it, and plenty of self-deprecation for all his fussy worrying—how he can “savor and telegraphy every misery”—which works well for the easy passage over, but keeps the wicked gales they encounter heading north from the Azores to Scotland from becoming white-knuckle reading. And though he is strongest in expressing his joy of life with Brian, he can also draw a nifty descriptive passage on the water- and landscapes they pass through on their journey.

Storandt paints a beckoning picture for the life he has chosen and now lives so well. (13 b&w photographs, 2 maps, 1 line drawing)

Pub Date: Aug. 1, 2001

ISBN: 0-299-17460-3

Page Count: 178

Publisher: Univ. of Wisconsin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2001

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Not an easy read but an essential one.

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Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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