Next book

AN AFGHANISTAN PICTURE SHOW

OR, HOW I SAVED THE WORLD

Just why a respected and talented young novelist like Vollman (Fathers and Crows, reviewed above, etc.) would want to publish dated jottings on a 1982 sojourn around and, briefly, in war-torn Afghanistan is anyone's guess. Whatever the reason, there's not much to commend in this digressive log, whose title alludes to a slide presentation the author mounted upon his return to northern California. In seemingly random fashion, Vollman recalls a journey taken to comprehend what had happened to the keystone Asian republic in the wake of its 1979 invasion by Soviet forces. Referring to himself as ``the Young Man'' throughout, the author provides a quasi-picaresque narrative of his travels in Pakistan and his short thrust with a mujihadeen band into Afghanistan itself. Vollman's protagonist is forever obliged to confront his own inadequacies following brief encounters with refugees, would-be warriors, corrupt bureaucrats, overworked officials, retired military men, out-of-office pols, and good-hearted citizens who go out of their way to make him feel welcome in their country. By the author's account, those whom the Young Man met in his travels invariably invested him with preternatural powers, owing to his American heritage. Whether Vollman intended to document the futility of trying to help others, or some other truth, is unclear. For all their purposeful irony, though, his short-take recollections add little to our understanding of a tragic chapter in world history.

Pub Date: July 1, 1992

ISBN: 0-374-10105-1

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1992

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview