A 15-year-old small-town lad in WW II Ireland expands his social horizons, and develops a romantic obsession—in this fine, characteristic Trevor story, one of the slightest (if purest) entries in the Harper Short Novel Series thus far. Harry, now 58, unmarried, and childless, recalls his adolescence during the war—when he was finishing up at a rectory grammar school, slated to start work soon at his father's timberyard. (His sister Annie—despite dreams of working as a Dublin shopgirl—has already been consigned forever to the timberyard office.) But Harry's life is changed forever when beautiful newcomer Mrs. Messinger, the young, thin English wife of a middle-aged German refugee, asks the youth to help her with some packages. Smitten, Harry is soon paying frequent visits to the Messingers' comfortable, European-style country house—where Frau Messinger reminisces about her English childhood and speaks of her unlikely marriage to 62-year-old Herr Messinger (a widower Whose sons are Nazi soldiers) with glowing affection. Despite coarse pressures from his bigoted parents, his sex. obsessed schoolmates, and other provincial sorts, Harry remains steadfast in his idealized devotion to the couple. So, when wealthy Herr M. decides to build a lavish, elegant cinema for the town (the romantic Alexandra), Harry's heart-and-soul are wrapped up in the project—especially once he realizes that the building of the moviehouse is Herr M.'s gift to a dying wife in her last months. And in time Harry will inherit the ultimately doomed Alexandra—escaping the world of the timberyard, but spending his life (not entirely plausibly) in the shadow of the Messingers' special love: "Fate has made me the ghost of an interlude; once in a while I say that in the town, trying to explain." More longish story than novella, without the strong political/historical resonance of some bolder Trevor tales—but exquisitely detailed, perfectly modulated in its bittersweet tone, and quietly, leanly, expertly told.
Pub Date: Oct. 1, 1987
ISBN: 0375504710
Page Count: 99
Publisher: Harper & Row
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: Sept. 15, 1987
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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