by Willo Davis Roberts ‧ RELEASE DATE: March 1, 2001
A great cover, a creepy gardener-cum-madman and a maddeningly clueless, nervous, blond young stepmother (shades of Joan Fontaine) combine a gothic story with a contemporary teen problem novel—but the resulting mystery is far too easily resolved. When her mother dies after a prolonged and devastating illness (chronicled in the first chapter), Nikki’s father marries the young illustrator of a book he is editing. Nikki’s resentment of her new stepmother quickly gives way to grudging protectiveness as Crystal shows herself incapable of self-assertion in the face of Nikki’s bull-headed father. Shortly after the wedding, Crystal inherits a house on the Northern California coast, and over Crystal’s objections, Nikki’s dad insists on moving his family to the beach for the summer. Here, Crystal’s unspoken fear of something dreadful in her past causes alarming nightmares, and Nikki’s impromptu job as secretarial assistant to the gruff owner of a neighboring beach house puts her in proximity to Bruce, the weird resident gardener. As the plot begins to thicken, lightning conveniently burns down the neighboring house—the very house, Crystal finally reveals, where Bruce brutally murdered her entire family when she was a small child. The gardener escapes the fire, however, leaving the reader to wonder about the chilling words Crystal speaks to Nikki in the novel’s last paragraph: “He’ll find you, Nikki,” she says. Though she’s ostensibly talking about Nikki’s budding summer romance with the neighbor’s son, cut short by the fire, the reader can only hope that no sequel is in the works. (Fiction. 11-14)
Pub Date: March 1, 2001
ISBN: 0-689-81671-5
Page Count: 240
Publisher: Atheneum
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2002
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by Barbara Reid & illustrated by Barbara Reid ‧ RELEASE DATE: April 1, 1999
A girl and her sister start off rather glumly in the back seat of the car, leaving all their friends behind, because they are off to a family party. When they arrive, they are kissed by Aunt Joan—the worst—and then there is more kissing and a bunch of cousins just hanging around. But the kids start sharing war stories (hair cuts, lost teeth, split lips) and playing shark on the lawn; there are hideouts under Uncle John’s chair and potato-chip thievery; and then there is all that food beloved of family gatherings, for it is Gran’s birthday. At the end, of course, no one wants to go home. In sprightly rhyme, Reid captures the range of experience, from initial wariness to high hilarity, present at parties full of relatives. Her illustrations, done in painted Plasticine on board, have a wonderful texture, making a Hawaiian shirt, three-bean salad, and Mary Jane shoes pop out of the page. A treat. (Picture book. 4-9)
Pub Date: April 1, 1999
ISBN: 0-590-97801-2
Page Count: 32
Publisher: Scholastic
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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by Barbara Reid ; illustrated by Barbara Reid
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by Clement C. Moore ; illustrated by Barbara Reid
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by Barbara Reid ; illustrated by Barbara Reid
by Nancy Steele Brokaw ‧ RELEASE DATE: April 19, 1999
The first chapter of this well-written novel may be the best, attracting readers to the story of an only child whose special friend Tem is moving away. In addition to the blow of losing her close friend, Emma learns that her father has taken an engineering job in Turkey, and will be gone for five months. Emma exhibits fiercely childish feelings in attempting to dissuade her father; these feelings begin to make sense, however, as readers learn what Emma is in for. Her mother withdraws, as Emma predicted, to her bed and to television, with no apparent thought for Emma’s well-being. A sudden burst of cheer on her mother’s part results in more bad news for Emma; her mother is joining her father for five weeks, leaving Emma in the care of an elderly aunt. After that unbelievable, cruel twist, Tem all but disappears from the story, which turns to the blossoming of Emma’s artistic talents, through which she makes new friends. The novel elevates a common subject, mostly through Emma’s original observations, and despite the plotting. Although Brokaw drifts into the mundane in order to see Emma’s dilemmas to a conclusion, she often surprises readers with a well-turned phrase. (Fiction. 9-12)
Pub Date: April 19, 1999
ISBN: 0-395-90699-7
Page Count: 157
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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