This bracing SF series opener delivers thorny jargon and equally challenging and bold cultural ideas.
Centuries after a war and science breakthroughs reconfigured humanity, a space-based, dominant race of gender-fluid elites investigates apocalyptic rumors and cultlike revelations spreading among the masses subsisting on Earth.
Whitlow opens a multivolume SF saga with this mind-stretcher set mainly on a far-future Earth (aka Erdos) about 300 years after a ruinous war that practically redesigned humankind. An advanced race of elites—the “Meritorians”—adopted existence on the moon, Mars (aka Marda), and outer planets. They are (mostly) the benevolent and ultraprogressive masters of the solar system, low gravity, and their own medicine, which altered their physiologies to the point of being a new species. Their very thoughts are interlinked by “cognos,” a descendant of the internet, and they regard unaltered Earth dwellers as aberrant troglodytes. The Meritorians are friendly and collaborative with an upper caste called “Consumers” but have little regard for the peasant masses that teem in underground cities and settlements and still communicate verbally, among other offenses. Now, these low-borns are alarming Meritorians with a cultish movement offering vaguely apocalyptic and seditious pronouncements of an approaching individual/entity called “Javeh.” Surveillance scans prove the validity of Javeh’s beatific visions and whisperings, but Meritorian superscience cannot decipher the code or how the messages are being transmitted. In advance of an important Meritorian conference on Erdos, the terrorism begins. Readers will be tested by a dense, future-speak argot largely (but not entirely) related in the Meritorian vernacular, which replaces all personal pronouns with gender-neutral ones (“Se draws serself up and puts ser weight into the comp suit, which mercifully supports ser as se totters away to the stairs”). The lingo indicates that the main dogma of Meritorian society comprises transgenderism and the overthrow of the “binary fallacy,” which the civilization believes brought humanity to ruin. Readers who can peer past the opaque curtain of the author’s peculiar language will be rewarded by intellectual puzzles and troubling questions, largely unanswered by the open-ended climax. Is Javeh a reactionary rebel mastermind or a wrathful (and transphobic) God who is returning? This is heady stuff for the adventuresome who like SF that does not give up its secrets easily.
This bracing SF series opener delivers thorny jargon and equally challenging and bold cultural ideas. (science fiction)Pub Date: Dec. 7, 2021
ISBN: 978-1-7349098-2-1
Page Count: 196
Publisher: James Perry
Review Posted Online: Nov. 18, 2021
Review Program: Kirkus Indie
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
An ambitious but plodding space odyssey.
Having survived a disastrous deep space mission in 2038, three asteroid miners plan a return to their abandoned ship to save two colleagues who were left behind.
Though bankrolled through a crooked money laundering scheme, their original project promised to put in place a program to reduce the CO2 levels on Earth, ease global warming, and pave the way for the future. The rescue mission, itself unsanctioned, doesn't have a much better chance of succeeding. All manner of technical mishaps, unplanned-for dangers, and cutthroat competition for the precious resources from the asteroid await the three miners. One of them has cancer. The international community opposes the mission, with China, Russia, and the United States sending questionable "observers" to the new space station that gets built north of the moon for the expedition. And then there is Space Titan Jack Macy, a rogue billionaire threatening to grab the riches. (As one character says, "It's a free universe.") Suarez's basic story is a good one, with tense moments, cool robot surrogates, and virtual reality visions. But too much of the novel consists of long, sometimes bloated stretches of technical description, discussions of newfangled financing for "off-world" projects, and at least one unneeded backstory. So little actually happens that fixing the station's faulty plumbing becomes a significant plot point. For those who want to know everything about "silicon photovoltaics" and "orthostatic intolerance," Suarez's latest SF saga will be right up their alley. But for those itching for less talk and more action, the book's many pages of setup become wearing.
An ambitious but plodding space odyssey.Pub Date: Jan. 24, 2023
ISBN: 978-0-593-18363-2
Page Count: 464
Publisher: Dutton
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
