This bracing SF series opener delivers thorny jargon and equally challenging and bold cultural ideas.
Centuries after a war and science breakthroughs reconfigured humanity, a space-based, dominant race of gender-fluid elites investigates apocalyptic rumors and cultlike revelations spreading among the masses subsisting on Earth.
Whitlow opens a multivolume SF saga with this mind-stretcher set mainly on a far-future Earth (aka Erdos) about 300 years after a ruinous war that practically redesigned humankind. An advanced race of elites—the “Meritorians”—adopted existence on the moon, Mars (aka Marda), and outer planets. They are (mostly) the benevolent and ultraprogressive masters of the solar system, low gravity, and their own medicine, which altered their physiologies to the point of being a new species. Their very thoughts are interlinked by “cognos,” a descendant of the internet, and they regard unaltered Earth dwellers as aberrant troglodytes. The Meritorians are friendly and collaborative with an upper caste called “Consumers” but have little regard for the peasant masses that teem in underground cities and settlements and still communicate verbally, among other offenses. Now, these low-borns are alarming Meritorians with a cultish movement offering vaguely apocalyptic and seditious pronouncements of an approaching individual/entity called “Javeh.” Surveillance scans prove the validity of Javeh’s beatific visions and whisperings, but Meritorian superscience cannot decipher the code or how the messages are being transmitted. In advance of an important Meritorian conference on Erdos, the terrorism begins. Readers will be tested by a dense, future-speak argot largely (but not entirely) related in the Meritorian vernacular, which replaces all personal pronouns with gender-neutral ones (“Se draws serself up and puts ser weight into the comp suit, which mercifully supports ser as se totters away to the stairs”). The lingo indicates that the main dogma of Meritorian society comprises transgenderism and the overthrow of the “binary fallacy,” which the civilization believes brought humanity to ruin. Readers who can peer past the opaque curtain of the author’s peculiar language will be rewarded by intellectual puzzles and troubling questions, largely unanswered by the open-ended climax. Is Javeh a reactionary rebel mastermind or a wrathful (and transphobic) God who is returning? This is heady stuff for the adventuresome who like SF that does not give up its secrets easily.
This bracing SF series opener delivers thorny jargon and equally challenging and bold cultural ideas. (science fiction)Pub Date: Dec. 7, 2021
ISBN: 978-1-7349098-2-1
Page Count: 196
Publisher: James Perry
Review Posted Online: Nov. 18, 2021
Review Program: Kirkus Indie
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Gripping and heartfelt, this prismatic novel is more than worth its salt.
A Jesuit and a nuclear inspector are polar-opposite pillars of (dis)belief in a biblical apocalypse hastened and hindered by social media.
The Vatican sends Father Avelyn Brocken back home to Hreodwater, a remote salt-mining town in England, to investigate the supposed miracle of another priest turning into a pillar of salt. Twelve years ago, young Avelyn left Hreodwater for the church, hiding his distinctive violet eyes behind contact lenses and lasering off his intricate tattoos, inked in tribute to the Hreoda’s slumbering cult idol, the Salt King. At the Dead Sea, Dr. Tallis Osho, a nuclear safety inspector accustomed to epileptic hallucinations, investigates phenomena similar to what’s happening in Hreodwater, particularly the eerie “salt light” shorting out electronics and eventually infecting humans with something akin to radiation poisoning. These two compelling, complicated figures anchor an end-of-days plot that is both global and intensely personal, as salt light spreads across the planet while Avelyn is drawn back into the dark thrall of the Salt King and his imminent waking. Having jumped among an alt-history 19th century, far future Mars, and the Bronze Age in her previous books, Pulley now transports us to a wholly recognizable 2030, where everyone has a persistent Covid cough and monks and doctors need likes and subscriptions so they can join in the cultural conversation. Drawing on some of her favorite narrative elements—time jumps, perspective shifts, mammoths—Pulley cleverly reckons with thorny questions of truth versus belief, faith versus institutions, and whether it’s better to navigate the unimaginable alone or with a companion whose very presence you doubt. Seeing is believing—or perhaps believing is seeing. Though the novel deals in prophecy and cataclysm, it champions free will down to its very last moments.
Gripping and heartfelt, this prismatic novel is more than worth its salt.Pub Date: Aug. 18, 2026
ISBN: 9781639737291
Page Count: 464
Publisher: Bloomsbury
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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