A highly entertaining caper set in a sleazy London underworld.
A low-key jazz guitarist finds himself embroiled in a bitter feud between a high-class escort and a gangland boss in Kent’s novel.
Five years after surviving a shipwreck in the Gulf of Alaska, musician Jason Davey is back home in London, enjoying a relatively tranquil life as a resident guitarist at the Blue Devil nightclub. Then a visit from an old friend, fellow cruise ship worker Sal Jones, leads him down a path that takes him a long way out of his comfort zone. Sal’s friend, sex worker Holly Medford, had £10,000 (and a G-string) stolen from her locker while she was working at a local “gentlemen’s club.”She needed the money to repay a debt to notorious gangster Arthur Braskey, who’s growing increasingly impatient. Someone needs to track down the cash before Holly finds herself in real danger, and because Jason has done a little amateur sleuthing before, Sal thinks that the guitar player would be the ideal man for the job. The £10,000, though, turns out to be a mere drop in the ocean—and Arthur is a less-than-sympathetic creditor, as Jason learns the hard way. Despite the novel’s rather garish title, it’s a fairly impressive crime thriller. Jason is a well-crafted reluctant hero, and Kent’s writing is slick and engaging throughout. Jason has appeared in her fiction before—in 2012’s Cold Play and a later novella—and this entry is a little slow to hit its stride, as the loss of £10,000 and a lingerie item seems a rather modest premise for a crime novel; it’s not until around the halfway mark that things really start to escalate. However, this is a minor gripe, as even when the case seems underwhelming, the prose is strong enough to carry it through. There’s a tangential plotline involving Holly’s brother and a member of Jason’s band that becomes too conveniently relevant to the main story, but this doesn’t detract significantly from what is otherwise a skillfully crafted crime novel.
A highly entertaining caper set in a sleazy London underworld.Pub Date: July 30, 2019
ISBN: 978-0-9880826-5-6
Page Count: 220
Publisher: Blue Devil Books
Review Posted Online: May 13, 2020
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
This mystery’s promising premise bogs down in an overloaded cast.
When one woman takes on another’s identity to uncover a crime, they both become suspects in a murder.
Aubrey Price and Camille Bayliss come from different worlds, only crossing paths because of the discovery that Camille’s husband, powerful lawyer Ben Bayliss, is hiding something terrible that affects them both. As the novel opens, Aubrey is driving Camille’s Range Rover, then teetering into a bar on Camille’s high heels, with Camille’s dress and credit cards and a wig that mimics Camille’s hair, pretending to be her because Ben tracks his wife’s every move and expenditure, and Camille wants to create a smokescreen while she sneaks into his office in search of evidence of that unnamed secret. But the scheme goes awry, and the women become each other’s alibis after Camille finds Ben murdered in their home. The first part of the book builds suspense and misdirection well, with Aubrey and Ben’s straight-arrow partner, Hank Landry, serving as first-person observers in some chapters while others track Camille. She’s a wealthy and privileged woman but not a happy one, stuck under the thumbs of her husband and her tyrannical father, Randall Everett, who pretty much runs their small Louisiana town. Aubrey was orphaned as a teen when her parents died in a car crash and has proudly fended for herself ever since, coming to depend on her four roommates, who have become friends. But as the cast of characters grows, it seems as if almost everyone in town has a motive for killing Ben, and the piling up of suspects and movements among different timelines can sometimes be confusing. And it all comes to a frustrating end when, after a whole school of red herrings, the solution to Ben’s murder arrives out of far left field.
This mystery’s promising premise bogs down in an overloaded cast.Pub Date: Jan. 13, 2026
ISBN: 9780593834459
Page Count: 352
Publisher: Pamela Dorman/Viking
Review Posted Online: Dec. 10, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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