Next book

THE AMERICAN CRISIS

WHAT WENT WRONG. HOW WE RECOVER.

An illuminating collection of perceptive, well-argued, and compelling essays.

Essayists reflect on the current state of the nation.

In keeping with the Atlantic’s goal of “debating and illuminating America’s meaning and purpose,” editor at large Murphy gathers 40 incisive essays from an impressive roster of contributors. “How did we get here?” editor-in-chief Jeffrey Goldberg asks in his introduction. “How did our politics become so appalling and dispiriting? How did a system meant to elevate the most qualified among us instead place a grifter in Lincoln’s house? How did the gaps between rich and poor, men and women, black and white, immigrant and American-born, become so profound?” The essays are grouped into four sections: the first looks at “underlying conditions of society as a whole that have been deteriorating for decades.” The second examines the failure of politics; the third covers the disastrous Trump presidency; and the last focuses on the possibility for the nation’s reinvention. Contributors consider issues such as racial inequality, cultural divides and polarization, climate change, voter suppression, the plight of undocumented immigrants, and evangelical Christians, who regard themselves, "hysterically and with self-pity, as an oppressed minority that requires a strongman to rescue it.” Former Harvard president Drew Gilpin Faust melds history with a memoir of her childhood in Virginia, “a world in which silences distorted lives, and falsehoods perpetuated structures of power rooted in centuries of injustice.” In a moving portrait of a Baltimore resident struggling with health problems, staff writer Olga Khazan sees that “America’s racist and segregationist history continues to harm black people in the most intimate of ways—seeping into their lungs, their blood, even their DNA.” Caitlin Flanagan rails against rich parents’ sense of entitlement, which she experienced firsthand as a guidance counselor at a tony prep school. Among many unsettling pieces are profiles of Newt Gingrich, Paul Manafort, Ivanka Trump, and, most disturbingly, conspiracy theorists enraptured with QAnon. Other top-notch contributors include Anne Applebaum, George Packer, Ta-Nehisi Coates, Ibram X. Kendi, and Yuval Noah Harari.

An illuminating collection of perceptive, well-argued, and compelling essays.

Pub Date: Sept. 15, 2020

ISBN: 978-1-982157-03-6

Page Count: 576

Publisher: Simon & Schuster

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

Next book

DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 62


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 62


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview