Although the touch-and-feel element is not essential, this French import is a cheery way to teach very young children about...

READ REVIEW

SEASONS

From the My First Touch and Feel series

A large 8-inch square trim size is put to good use to introduce the four seasons to young children in this touch-and-feel outing.

A red-cheeked white (literally, though the tot tans in summer) child, outfitted in clothes suitable for seasonal activities, is surrounded by seasonal objects in four successive scenes. Each double-page spread begins with a brief description of expected weather for that time of year and includes representative, labeled items. (Readers might question the relevance of a ski helmet and mask to most toddlers, though skiing families will appreciate the reinforcement of safety.) The stylized art makes some of the objects difficult to identify. For example, white dots labeled “snowflakes” lack the lacy magic the term usually implies. The only tactile elements are the child's shirts, which change from a striped summer T-shirt to a fall flannel coat, blue snow suit, and yellow rain slicker and hat in turn and are fairly underwhelming. The final spread is devoted to “the seasons game,” which asks children to name the season associated with several now-familiar objects. Tactile elements are not repeated here, and some of the colors are not consistent with the rest of the book.

Although the touch-and-feel element is not essential, this French import is a cheery way to teach very young children about seasonal weather. (Board book. 6-18 mos.)

Pub Date: April 5, 2016

ISBN: 979-1-02760-141-7

Page Count: 10

Publisher: Chronicle

Review Posted Online: Feb. 17, 2016

Kirkus Reviews Issue: July 1, 2016

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A happily multisensory exploration.

NOISY FARM

From the My First Touch and Feel Sound Book series

Farm animals make realistic noises as youngsters press embedded tactile features.

“Pat the cow’s back to hear her ‘Moo!’ ” Readers can press the fuzzy, black circle on a Holstein cow to hear its recorded noise. This formula is repeated on each double-page spread, one per farm critter (roosters, piglets, lambs and horses). Using stock photography, several smaller images of the animals appear on the left, and a full-page close-up dominates the right. The final two pages are a review of the five farmyard creatures and include a photo of each as well as a review of their sounds in succession via a touch of a button. While the layout is a little busy, the selection of photos and the tactile elements are nicely diverse. The text is simple enough for little ones, encourages interaction (“Can you baa like a lamb?”) and uses animal-specific vocabulary (fleece; mane). The sister title, Noisy Trucks (978-1-58925-609-5), follows much the same format, but, here, the stars are big rigs, monster trucks, fire trucks, backhoes and cement mixers. While the photos will thrill the vehicle-obsessed, the noises are less distinctive, save the fire truck’s siren. The facts about each type of vehicle provide just enough information: “A fire truck has a loud siren, ladders to climb, and hoses that spray water.” Despite the age recommendation of 3 years and up suggested on the back cover, the construction (with the battery secured by screw behind a plastic panel) looks sturdy and safe enough for younger readers.

A happily multisensory exploration. (Board book. 18 mos.-3)

Pub Date: Sept. 1, 2013

ISBN: 978-1-58925-610-1

Page Count: 12

Publisher: Tiger Tales

Review Posted Online: Sept. 14, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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