by Xavier Garza ; illustrated by Xavier Garza ‧ RELEASE DATE: Oct. 31, 2015
Older middle-grade readers will find these Latin American horror stories deliciously short but spooky.
An entertaining bilingual collection of short stories that feature a creepy assortment of Mexican-inspired ghosts, witches, monsters, and more.
Each of the 12 chapters offers a different contemporary story following middle school–aged protagonists who come into contact with a frightening figure, like the infamous La Llorona—the weeping woman who appears near rivers and creeks looking for children to claim as her own—or the lesser-known duendes—green-skinned goblins that wreak havoc. Although some readers may be initially confused that each story focuses on a new set of characters, the separate tales make for ideal campfire or chapter-a-night read-alouds. As a bonus, all of the chapters are accompanied by an equally scary illustration of the spirits, brujas, and devils. Although all are written in clear, easy-to-access prose, a few of the stories stand out as particularly memorable: the titular showdown between La Llorona and the Donkey Lady as they fight to possess a disbelieving Margarito; the older-skewing "Tunnels," about Joe, who encounters a crime-fighting Chupacabras while exploring a border-town cave; and the eerie "Can I Keep Him?" in which Nikko adopts a dog with special powers. Bilingual readers can read the lightly macabre stories twice, since they repeat in Spanish after the last chapter.
Older middle-grade readers will find these Latin American horror stories deliciously short but spooky. (Short stories. 8-12)Pub Date: Oct. 31, 2015
ISBN: 978-1-55885-816-9
Page Count: 144
Publisher: Piñata Books/Arte Público
Review Posted Online: Aug. 30, 2015
Kirkus Reviews Issue: Sept. 15, 2015
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by Nikki Grimes ‧ RELEASE DATE: Sept. 1, 2013
An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)
In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.
Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.
An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)Pub Date: Sept. 1, 2013
ISBN: 978-1-59078-985-8
Page Count: 96
Publisher: Wordsong/Boyds Mills
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Beth Vrabel ; illustrated by Paula Franco ‧ RELEASE DATE: March 10, 2020
Nellie Bly’s contemporary namesake does her proud.
Eleven-year-old Nellie’s investigative reporting leads her to solve a mystery, start a newspaper, and learn key lessons about growing up.
Nellie’s voice is frank and often funny—and always full of information about newspapers. She tells readers of the first meeting of her newspaper club and then says, “But maybe I’m burying the lede…what Dad calls it when a reporter puts the most interesting part…in the middle or toward the end.” (This and other journalism vocabulary is formally defined in a closing glossary.) She backtracks to earlier that summer, when she and her mother were newly moved into a house next to her mother’s best friend in rural Bear Creek, Maine. Nellie explains that the newspaper that employed both of her parents in “the city” had folded soon after her father left for business in Asia. When Bear Creek Park gets closed due to mysterious, petty crimes, Nellie feels compelled to investigate. She feels closest to her dad when on the park’s swings, and she is more comfortable interviewing adults than befriending peers. Getting to know a plethora of characters through Nellie’s eyes is as much fun as watching Nellie blossom. Although astute readers will have guessed the park’s vandalizers, they are rewarded by observing Nellie’s fact-checking process. A late revelation about Nellie’s father does not significantly detract from this fully realized story of a young girl adjusting admirably to new circumstances. Nellie and her mother present white; secondary characters are diverse.
Nellie Bly’s contemporary namesake does her proud. (Fiction. 8-12)Pub Date: March 10, 2020
ISBN: 978-0-7624-9685-3
Page Count: 208
Publisher: Running Press
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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