An often-charming exploration of learning, love and loss.
A young Chinese woman travels to London on a student visa and falls in love with a much older English bachelor.
New in town and eager to learn English so she can better help her family run their shoe factory back in rural China, lonely 23-year-old Zhuang (“Z”) meets her unnamed 40-something lover at an artsy German film. The attraction between them is immediate, but it is her literal interpretation of his “be my guest” invitation that has her moving into his Hackney flat within a week. A sculptor specializing in pained-looking human forms, he is also a vegetarian who, prior to Z, led a mostly gay life. His bisexuality seems to bother her less than the fact that he won’t eat pork, but he is initially delighted by her youth, naiveté and absolute dependence on him. There is much that Z does not understand about western culture, and her ever-improving ESL narration of London living is both fascinating and amusing, such as when she reads a Pet House magazine to improve her language skills. As the lovers settle into a domestic routine, their relationship deepens and she realizes that speaking his mother tongue won’t necessarily help her understand her broody Englishman. The existential angst that seems “noble” to her comes across as self-indulgent to the reader. For his part, he grows tired of Z’s neediness and encourages her to backpack around Europe, where she meets a series of men, but never stops thinking of him. Back in their shared flat, in between bouts of lovemaking, Z struggles to balance her practical life plans with her romantic ideals, and by the bittersweet conclusion it is clear that she has grown in ways that neither she nor her lover could have ever imagined. Guo’s U.S. debut quickly overcomes the early chapters’ self-conscious winsomeness to become a compelling and moving tale of first love.
An often-charming exploration of learning, love and loss.Pub Date: Sept. 4, 2007
ISBN: 978-0-385-52029-4
Page Count: 304
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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