Part thriller, part psychology, part quantum physics—all fun.
A mother whose infant son goes missing must cross over into other versions of her life in an attempt to find her baby.
Hannah Bennett is a successful novelist with a proclivity for scary stories; her career has netted her a big house in the Berkeley Hills and a levelheaded husband, Adam. Since a traumatic experience eight months ago when her son, Jack, was born, unbreathing, via emergency C-section, Hannah can’t shake what she and her therapist called the “car-swerve” feeling: an overwhelming anxiety, as in a near miss while driving, that something that could have ended in tragedy was narrowly avoided. Indeed, this pervasive anxiety is so severe that Hannah can no longer conjure scary stories on the page—what greater fear is there than being a new mother?—and overwhelmed Adam is ready to pull the plug on their marriage. But soon Hannah’s fears take on a terrifying, concrete reality: She begins experiencing moments when she seems to inhabit a version of her life where Jack died at birth. One evening, after a day full of these alternate-life visions, Hannah and Adam find Jack vanished from his crib. As she desperately searches for Jack, Hannah realizes that it is precisely these moments of crossing into a parallel reality—she calls it “riding the possibilities”—that may hold the key not only to finding Jack, but to making sense of her own dark past. This novel bears many tropes of quantum-mechanics narratives—collisions of multiple versions of the self, characters puzzling over subatomic particles and “the many worlds”—but the story’s inventiveness lies in the way it finds an SF narrative analog for the disorientation of postpartum psychology. The author, a psychotherapist herself, has orchestrated quite a mashup of genres, to page-turning effect.
Part thriller, part psychology, part quantum physics—all fun.Pub Date: July 25, 2023
ISBN: 9780593446485
Page Count: 304
Publisher: Random House
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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