A bold, confident book that delights in written language even as it probes it.
“Elsewhere” is a fitting description of this literary buffet of a short story collection.
These tales are set across multiple countries and centuries. To give an idea of the range on display, the collection’s two best stories follow a woman falling in love with the Facebook page of a recently deceased stranger and a political plot among the disciples of Confucius. Even more impressively, Yan writes across styles to best serve each story. “Stockholm,” a story about a literary conference, borrows from the blunt confessionalism of autofiction; meanwhile, the protagonist of “Free Wandering,” a story about being overwhelmed by New York, is a direct descendant of Dostoevsky’s Underground Man. This book is Yan’s first to be written in English, and language is a major theme throughout. At a meeting of the Foreign Movies No Subtitles group in “How I Fell in Love With the Well-Documented Life of Alex Whelan,” members debate the plot of a movie in a language they don’t understand. In "Mother Tongue," a couple of Chinese poets commit to surrounding their new baby only with English. But at 6 months old, the baby can speak only nonsense words, and it’s unclear if the experiment is working: “It was impossible to tell if they were Chinese or English, prose or verse.” Language is a source of alienation, a way for characters to be told they don’t belong. But it can also lead to new possibilities as characters find inspiration in misreadings. An Irish man with a Chinese character tattooed on his bicep believes the character reads home. In fact, it reads grave, and though it wouldn’t be difficult to fix, he decides to keep the tattoo as it is: “ ‘Grave’ is grand,” he declares. In an interview, Yan said that she relies on the distance of English, her second language, to talk about her mother’s death. In fact, a few of these stories touch on maternal mortality, a signal that the book’s themes of communication are deeply personal.
A bold, confident book that delights in written language even as it probes it.Pub Date: July 11, 2023
ISBN: 9781982198480
Page Count: 304
Publisher: Scribner
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
A book stuffed with revelations while keeping many secrets.
The Polynesian islands in the South Pacific are transformed by this historical epic into a region at once otherworldly and recognizable.
The Pulitzer Prize–winning Johnson (The Orphan Master’s Son, 2012) has established a reputation for spinning complex, colorful, and plausibly rococo yarns from civilizations remote from and mysterious to outsiders. Here, his audacious, unruly imagination roams with confidence through the island kingdom of Tonga as it undergoes societal uncertainty and the potential of war with other islands. At or near the center of this whirlwind is Kōrero, bold and insatiably curious daughter of a fisherman and a tattoo artist, whose discovery of a fishhook-shaped pendant in an ancestral graveyard signals the beginning of a grand, perilous, and transfiguring adventure that puts her, her family, and her friends on a sea voyage whose outcome could mean either salvation or oblivion for their people. The perilous odyssey is led by a figure known only as the Wayfinder, whose near-intuitive grasp of navigation by both the shifting waters and the celestial patterns of the night sky arouses in Kōrero her own aspirations of being a “way finder.” Telling stories, however, is her own means of navigating through the twists and turns of her life’s journey, and Johnson’s multilayered narrative has the baggy, wildly divergent feel of oral storytelling, in which the intrigues of royal power politics, often facilitated through violence, are woven with tales of familial conflict, verse by royal poets, and even the occasional monologue from Kōkī, the most articulate and, it seems, resilient of the islands’ many parrots. Such enchanted touches are deftly threaded into the rangy storyline by Johnson’s richly lyrical prose, which is also capable of handling the social dynamics of the Tongans along with the background stories of royalty and their rivals. At times, the saga can get so discursive that it risks leaving the reader on some reef or capsized by an unexpected surge from another time. Yet somehow, you yield to the novelist’s evocation of a world that, like the pendant recovered at the novel’s start, feels “both ancient and startlingly new.”
A book stuffed with revelations while keeping many secrets.Pub Date: Oct. 14, 2025
ISBN: 9780374619572
Page Count: 768
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
