Maybe overwriting is the only way to handle the end of civilization. Seems to work here.
Anthropologists open Pandora’s box in South Dakota.
First-novelist Johnson, author of one of last year’s most impressive story collections (Emporium), has his wry way with the ecosystem, the breakdown of law, frontier universities, families, and other complexities in this very busy, highly original, largely entertaining, and occasionally maddening take on environmental disaster. Tenured but shaky one-book wonder Hank Hannah, professor of anthropology, fitfully labors in the spectacular disorder of his collected samples of ice cores, atmospheric layers, and other snips of the universe at the University of Southwestern South Dakota. Pining for his late stepmother, lazily lusting after Trudy, one of his two prize grad students, going not much of anywhere in his study of the early American Clovis people who may have wiped out most of the hemisphere’s megafauna twelve millennia ago, Hank more or less oversees the studies of Eggers, his other grad student. Eggers has wowed the anthropological community with his ambitious doctoral project, a year spent living with nothing but Clovis technology right in the middle of the otherwise featureless campus-on-the-steppe. Clad in fur clothing of his own tailoring, chowing down on the campus squirrels, scratching constantly from plagues of worms and insects, Eggers, the child of billionaires, has continued his studies alongside the conventional student body, and in so doing has unearthed the supreme rarity: a Clovis burial site on the fringe of one of those unspeakably garish Indian casinos. Interrupted by, among other things, an attack of Pomeranians, Trudy and Hank assist with the dig, eventually unearthing all of the troubles of the world. No kidding. A prize pig will be murdered, Hank will become gobsmacked by love for a Siberian plant paleontologist, Trudy will sink two automobiles, the Pomeranians will become sled dogs, and Hank will go to federal prison on the way to the Apocalypse. Johnson manages somehow to squeeze in some very tender observations about childhood and loss in the midst of this weird and ominous avalanche.
Maybe overwriting is the only way to handle the end of civilization. Seems to work here.Pub Date: Aug. 18, 2003
ISBN: 0-670-03235-2
Page Count: 368
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
