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PARASITES LIKE US

Maybe overwriting is the only way to handle the end of civilization. Seems to work here.

Anthropologists open Pandora’s box in South Dakota.

First-novelist Johnson, author of one of last year’s most impressive story collections (Emporium), has his wry way with the ecosystem, the breakdown of law, frontier universities, families, and other complexities in this very busy, highly original, largely entertaining, and occasionally maddening take on environmental disaster. Tenured but shaky one-book wonder Hank Hannah, professor of anthropology, fitfully labors in the spectacular disorder of his collected samples of ice cores, atmospheric layers, and other snips of the universe at the University of Southwestern South Dakota. Pining for his late stepmother, lazily lusting after Trudy, one of his two prize grad students, going not much of anywhere in his study of the early American Clovis people who may have wiped out most of the hemisphere’s megafauna twelve millennia ago, Hank more or less oversees the studies of Eggers, his other grad student. Eggers has wowed the anthropological community with his ambitious doctoral project, a year spent living with nothing but Clovis technology right in the middle of the otherwise featureless campus-on-the-steppe. Clad in fur clothing of his own tailoring, chowing down on the campus squirrels, scratching constantly from plagues of worms and insects, Eggers, the child of billionaires, has continued his studies alongside the conventional student body, and in so doing has unearthed the supreme rarity: a Clovis burial site on the fringe of one of those unspeakably garish Indian casinos. Interrupted by, among other things, an attack of Pomeranians, Trudy and Hank assist with the dig, eventually unearthing all of the troubles of the world. No kidding. A prize pig will be murdered, Hank will become gobsmacked by love for a Siberian plant paleontologist, Trudy will sink two automobiles, the Pomeranians will become sled dogs, and Hank will go to federal prison on the way to the Apocalypse. Johnson manages somehow to squeeze in some very tender observations about childhood and loss in the midst of this weird and ominous avalanche.

Maybe overwriting is the only way to handle the end of civilization. Seems to work here.

Pub Date: Aug. 18, 2003

ISBN: 0-670-03235-2

Page Count: 368

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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