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A BED FOR KITTY

While cat lovers will respond to the “aww” factor here, this outing will not, unlike the first, stand up to repeated...

In this slight follow-up to I See Kitty (2013), Chloe’s new kitty has made herself at home, draping herself almost everywhere for her catnaps.

Foreshadowing the theme of the book, the endpapers feature thumbnails of felines dozing on books and clothes, in bowls and shopping bags. Then Chloe asks, “Can I give Kitty her present now?” What is it? A bed for Kitty! But as much as Kitty loves sleeping, she is not interested in her bed. From one spread to the next, Chloe’s excitement changes from surprise to bewildered frustration to despondence as Kitty sleeps on the bag her bed came in, Chloe’s chair, the litter box (Chloe says “Eep!”), Mom’s favorite sweater and right in the middle of Chloe’s bed. The simple text will allow the book to serve some youngsters as an early reader. As before, the illustrations pay homage to the Hello Kitty aesthetic: black outlines, big shapes, matte colors. Chloe’s expressions are captured in pinprick eyes and a mouth indicated by a line or an O. Only when sad Chloe climbs onto Kitty’s bed does Kitty pay attention, stretching out right on top of Chloe.

While cat lovers will respond to the “aww” factor here, this outing will not, unlike the first, stand up to repeated readings. (Picture book. 3-6)

Pub Date: Sept. 23, 2014

ISBN: 978-1-59643-863-7

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: June 9, 2014

Kirkus Reviews Issue: July 1, 2014

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE RUNAWAY PIGGY / EL COCHINITO FUGITIVO

The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)

Pub Date: Nov. 30, 2010

ISBN: 978-1-55885-586-1

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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