This slight but elegant and moving novella is a lovely introduction to a prolific Japanese writer (1907-1991) largely...

THE HUNTING GUN

Inoue’s first book, published in Japan in 1949, recounts a tragic love triangle from the different perspectives of those affected.

The book begins with a framing device that feels old-fashioned yet contemporary in its self-consciousness. The “author” explains that he recently received a mysterious letter from a man named Misugi Josuke, who claims to be the subject of a poem published by the “author.” Josuke thinks the poem captured the “desolate dried-up riverbed” within him. He encloses three letters that came to him, asking that the “author” read and then destroy them. The first, addressed to Uncle Josuke, comes from a woman named Shoko, whose mother, Saiko, has recently died. Saiko divorced Shoko’s father for adultery when Shoko was 5. Josuke and his wife, Midori, have been close family friends for as long as Shoko can remember, and Shoko has always felt a special closeness to gentle Midori. The day before Saiko’s death, Shoko was supposed to burn her mother’s diary, but she read it and was shocked to learn that Saiko and Josuke have been having an affair for 13 years and that Saiko has been wracked with guilt. While thanking Josuke for his support, Shoko tells him she never wants to see him or Midori again. She also sends along a letter Saiko left for him. But the second letter is from Midori, who writes that she wants to end their marriage, which has been a sham all along. While appearing to involve herself with other men, she's always pined for Josuke, who's remained coolly aloof. She knows he thought he was protecting her from knowledge of his affair, but she discloses her own secret: She has always known. Saiko’s letter is a farewell. About to die, she tells Josuke her own guilty, passionate secret, one that Josuke has never suspected. Nor will the reader, although it makes complete sense.

This slight but elegant and moving novella is a lovely introduction to a prolific Japanese writer (1907-1991) largely unknown in the West.

Pub Date: Sept. 9, 2014

ISBN: 978-1-78227-001-0

Page Count: 112

Publisher: Pushkin Press

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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