A miniodyssey, familiar but elemental, and played out amid plenty of smiles and pop-ups.
An aquatic take on the ever-popular “Are you my mother?” plotline, weak in the natural-history department but fully cozy.
After Mama Frog lays her eggs in some “seaweed” she finds in her pond and goes off to find a lily pad for a home, five big-eyed tadpoles hatch and go in search of her. As they don’t know what she looks like, they accost Mama Duck, Mama Fish, Mama Crab and others. All of these mothers, rather than eat the tadpoles as many would do in real life, indulgently send them along with different descriptions of their real mama. Working with a palette of harmonious greens and grays, Hung crafts serene-looking pondscapes that open with tabs and lifted flaps into spacious, layered tableaux. When Mama Frog’s ribbits lead at last to a joyful meeting, her offspring’s first question is not, considering the storyline, the natural one about why they don’t look anything like her. Instead, they ask her to teach them her froggy song. She promises that once they do change to frogs, “we will sing ‘ribbit, ribbit’ together, all day and night!”
A miniodyssey, familiar but elemental, and played out amid plenty of smiles and pop-ups. (Pop-up/picture book. 3-5)Pub Date: April 9, 2013
ISBN: 978-1-4197-0718-6
Page Count: 24
Publisher: Abrams Appleseed
Review Posted Online: Sept. 24, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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