A fanciful tale with practical guidance for protecting our planet.
A picture-book parable on environmental stewardship.
“Usually I don’t talk to strangers on the street,” says Lalo, a sailor. But our hero makes an exception upon encountering a talking goldfish in a fishbowl atop a pile of trash. Befitting her bright red color, her name is Rosa, and she longs for “a better life.” To fulfill this wish, Lalo takes Rosa on a global journey, but everywhere they go—a pond, a mountaintop, the Arctic, the jungle, the desert, the River Seine, the beach—they find empty, plastic water bottles, symbolic of broader environmental degradation. “We wondered where all of them came from,” says Lalo on a climactic spread showing the pair in a rowboat on a body of water choked by bottles. The following wordless spread depicts them watching aghast as people lug water bottles from a store; then they join not people but several anthropomorphic animals in cleaning up the ubiquitous litter. In their efforts, they encounter a garden gnome who finally gives Rosa a new home on his fantastically pristine property, and Lalo closes the story with a refreshing glass of tap water. (Fine-print warnings tell readers not to free goldfish in waterways and to ensure tap water’s potability.) Yayo blends attractive visuals, a sense of whimsy, and sound lessons on environmentalism. Human characters have skin the white of the page.
A fanciful tale with practical guidance for protecting our planet. (Picture book. 4-7)Pub Date: June 15, 2024
ISBN: 9781990598234
Page Count: 56
Publisher: Tradewind Books
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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