A bold, masterful exploration of the banality of evil and the nature of revenge, controversial no matter how it is read.
In a report to the Chairman of the Board of Yad Vashem, a historian recounts how his life and livelihood became consumed by his study of the Holocaust.
Award-winning Israeli novelist Sarid’s latest work is a slim but powerful novel, rendered beautifully in English by translator Greenspan. The unnamed narrator, addressing an official at the Israeli Holocaust memorial museum Yad Vashem, explains how he ended up in his current position as a disgraced Holocaust scholar. His limited career options as a young academic—whose dissertation focused specifically on the details of extermination processes among concentration camps—led him to become first a Yad Vashem tour guide, then a leader of teen tours of Poland, then a guide accompanying ambassadors and elected officials on their Holocaust remembrance photo ops. Because of his expertise, he is asked to explain such horrors as the mechanics of the gas chambers and the strategy behind crematorium location and how these vary from camp to camp; he is even called on as a consultant for an Auschwitz “virtual reality” simulation. As he gets further into the story of his career, himself wandering deeper into the barren moral landscape he has dedicated his livelihood to assessing, the reader’s emotional journey mirrors his own: The unthinkable becomes mundane, gruesome atrocities become bland facts. Propelled by the narrator’s distinctive voice, the novel is an original variation on one of the most essential themes of post-Holocaust literature: While countless writers have asked the question of where, or if, humanity can be found within the profoundly inhumane, Sarid incisively shows how preoccupation and obsession with the inhumane can take a toll on one’s own humanity. As the narrator falls into the clutches of “the memory monster,” he is forced to consider—and the reader alongside him—at what point we ourselves become memory monsters. Sarid does not shy away from the aspects of these questions that cause many to avert their eyes. For instance, he limns the devastatingly simple cycle that leads the traumatized to inflict trauma upon others, his narrator recounting the sometimes ugly effects of the macho survivor mentality on Zionism: As he leads a tour of Majdanek, “on the few hundred meters’ walk from the gas chambers to the dirt monument and the crematoriums, I heard them talking about Arabs, wrapped in their flags and whispering, The Arabs, that’s what we should do to the Arabs.” Nevertheless, the novel is anything but moralistic; it is, if not an indictment of Holocaust memorialization, a nuanced and trenchant consideration of its layered politics. Ultimately, Sarid both refuses to apologize for Jewish rage and condemns the nefarious forms it sometimes takes.
A bold, masterful exploration of the banality of evil and the nature of revenge, controversial no matter how it is read.Pub Date: Sept. 8, 2020
ISBN: 978-1-63206-271-0
Page Count: 176
Publisher: Restless Books
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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