A moving depiction of a potent response to a dark period in U.S. history.
An NAACP leader found a unique way to confront racism in the early 20th century.
Writer and Civil Rights activist James Weldon Johnson (1871-1938) was a man of multiple talents, not the least of which was his facility with language; his poem “Lift Every Voice and Sing” is often referred to as the Black national anthem. But he knew there were also times when silence could be more effective than raised voices. With racist violence on the rise, he conceived of an unusual protest: “No chanting, / no cheering, / no chuckling. / Just serious, / somber / silence.” In 1917 in New York City, 10,000 people, among them children, marched down Fifth Avenue, carrying signs with messages about justice and the contributions of Black heroes. As one of the march’s leaders, Johnson remained as quiet as the rest of the participants, who were kept in step by drumbeats. Twenty thousand spectators watched this display of bravery and determination. Written in terse, at times staccato verse, Williams and Long’s portrayal of an important protest will be understood by even the youngest readers. The idea that a man of words could harness silence to convey a powerful message comes through loudly. Expressive digital illustrations in a palette of browns, tans, yellows, and fiery oranges support the storytelling. An authors’ note provides valuable context for the events.
A moving depiction of a potent response to a dark period in U.S. history. (text of “Lift Every Voice and Sing”) (Informational picture book. 4-8)Pub Date: today
ISBN: 9781665902786
Page Count: 48
Publisher: Atheneum
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
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A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered.
Inspired by Sen. Elizabeth Warren’s stand against the appointment of Sen. Jeff Sessions as U.S. attorney general—and titled for Sen. Mitch McConnell’s stifling of same—glancing introductions to 13 American women who “persisted.”
Among the figures relatively familiar to the audience are Harriet Tubman, Helen Keller, and Ruby Bridges; among the more obscure are union organizer Clara Lemlich, physician Virginia Apgar, and Olympian Florence Griffith Joyner. Sonia Sotomayor and Oprah Winfrey are two readers may already have some consciousness of. The women have clearly been carefully selected to represent American diversity, although there are significant gaps—there are no Asian-American women, for instance—and the extreme brevity of the coverage leads to reductivism and erasure: Osage dancer Maria Tallchief is identified only as “Native American,” and lesbian Sally Ride’s sexual orientation is elided completely. Clinton’s prose is almost bloodless, running to such uninspiring lines as, about Margaret Chase Smith, “she persisted in championing women’s rights and more opportunities for women in the military, standing up for free speech and supporting space exploration.” Boiger does her best to compensate, creating airy watercolors full of movement for each double-page spread. Quotations are incorporated into illustrations—although the absence of dates and context leaves them unmoored. That’s the overall feeling readers will get, as the uniformity of presentation and near-total lack of detail makes this overview so broad as to be ineffectual. The failure to provide any sources for further information should the book manage to pique readers’ interests simply exacerbates the problem.
Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered. (Informational picture book. 4-8)Pub Date: May 30, 2017
ISBN: 978-1-5247-4172-3
Page Count: 32
Publisher: Philomel
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
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