The result of this Grammy-nominated harpist’s effort to simplify a complex scientific subject is a medley of environmental...

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OUR HOUSE IS ROUND

A KID'S BOOK ABOUT WHY PROTECTING OUR EARTH MATTERS

Pollution, energy use, and simply throwing things away have created a worldwide mess that kids can help clean up with an eight-step action plan.

This well-meant offering introduces the idea of the interconnectedness of human activities and the state of our world. We’re all affected by pollution. Our need for energy results in a variety of current problems: unclean air, melting ice caps, rising sea levels and extreme weather patterns. We should use less. Trash doesn’t vanish; it must be burned or dumped. We should also recycle. This helps save trees, which “eat up pollution.” Colorful, unsophisticated cartoons show a bunny magician who cannot make trash disappear and a diverse array of young people who can. The author’s strong message is undercut by end matter that twice states that “many scientists” consider climate change to be caused by global warming. A National Academy of Sciences survey in 2010 showed an overwhelming consensus: 97 percent. Inspired by her concern for the environment, Kondonassis wrote this when she was unable to find an appropriate  book that would explain to her young daughter why she should care. Too bad she missed Kim Michelle Toft’s The World That We Want (2005) or Todd Parr’s The Earth Book (2010).

The result of this Grammy-nominated harpist’s effort to simplify a complex scientific subject is a medley of environmental tweets. (Informational picture book. 7-9)

Pub Date: April 1, 2012

ISBN: 978-1-61608-588-9

Page Count: 48

Publisher: Sky Pony Press

Review Posted Online: April 25, 2012

Kirkus Reviews Issue: May 15, 2012

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Together with its companions, too rushed to be first introductions but suitable as second ones.

MARIE CURIE AND RADIOACTIVITY

From the Graphic Science Biographies series

A highlights reel of the great scientist’s life and achievements, from clandestine early schooling to the founding of Warsaw’s Radium Institute.

In big sequential panels Bayarri dashes through Curie’s career, barely pausing at significant moments (“Mother! A letter just arrived. It’s from Sweden,” announces young Irène. “Oh, really?…They’re awarding me another Nobel!”) in a seeming rush to cover her youth, family life, discoveries, World War I work, and later achievements (with only a closing timeline noting her death, of “aplastic anemia”). Button-eyed but recognizable figures in the panels pour out lecture-ish dialogue. This is well stocked with names and scientific terms but offered with little or no context—characteristics shared by co-published profiles on Albert Einstein and the Theory of Relativity (“You and your thought experiments, Albert!” “We love it! The other day, Schrödinger thought up one about a cat”), Charles Darwin and the Theory of Evolution, and Isaac Newton and the Laws of Motion. Dark-skinned Tierra del Fuegans make appearances in Darwin, prompting the young naturalist to express his strong anti-slavery views; otherwise the cast is white throughout the series. Engagingly informal as the art and general tone of the narratives are, the books will likely find younger readers struggling to keep up, but kids already exposed to the names and at least some of the concepts will find these imports, translated from the Basque, helpful if, at times, dry overviews.

Together with its companions, too rushed to be first introductions but suitable as second ones. (glossary, index, resource list) (Graphic biography. 7-9)

Pub Date: Jan. 1, 2020

ISBN: 978-1-5415-7821-0

Page Count: 40

Publisher: Graphic Universe

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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A sketchy teaser in search of an audience.

EDDIE THE ELECTRON MOVES OUT

From the Eddie the Electron series , Vol. 2

A subatomic narrator describes how helium, a nonrenewable resource, is formed deep underground.

The very simple cartoon style of the illustrations suggests a breezier ride than the scientifically challenging content delivers. With much reliance on explanatory endnotes, Rooney sends her zippy narrator—newly freed from a popped balloon (see Eddie the Electron, 2015)—barreling its way past billions of nitrogen and oxygen atoms to the top of the atmosphere. Eddie describes how uranium and thorium trapped in the newly formed planet’s crust self-destructed to leave helium as a stable byproduct. Billions of tedious years later (“I thought I would die of pair annihilation!”) that helium was extracted for a wide variety of industrial uses. Following mentions of Einstein and how Eddie is mysteriously connected to other atoms “in a way that surpasses space and time,” the popeyed purple particle floats off with a plea to cut down on the party balloons to conserve a rare element. Younger readers may find this last notion easier to latch onto than the previous dose of physics, which is seriously marred both by the vague allusions and by Eddie’s identification as a helium atom rather than the free electron that his portrayals in the art, not to mention his moniker, indicate.

A sketchy teaser in search of an audience. (Informational picture book. 7-9)

Pub Date: June 20, 2017

ISBN: 978-1-944995-14-0

Page Count: 27

Publisher: Amberjack Publishing

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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