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POSTMUSLIM

A TESTIMONY

A bold and timely collection that artfully challenges Arab-Muslim stereotypes.

An Egyptian author examines the dilemmas of identifying as Arab and Muslim in the contemporary world.

In essays that span a youth living in Cairo, an adulthood spent in Britain, and, later, the United Arab Emirates, the author explores both the discomforts and epiphanies that living between Arab and Western cultures has brought him. He begins by mapping his relationship to Islam through the lens of boxing—“one more part of me that didn’t originate in Muslim civilization.” The sport, he writes, is “a spiritual routine. An aesthetic discipline. Self-care.” He traces internal fractures, such as the one he developed toward Islam. He experienced a “religious change of heart” that set him on his path West in 1991, the year R.E.M. released Losing My Religion. “Even in my head,” he writes, “I still can’t hear the phrase except the way they sang it.” Islam, along with the conservative milieu in which he lived, felt like a suffocating trap, whereas the West—especially Britain—felt like a “glittering world of ideas and relationships.” Only after he began attending university in northern England did he experience the alienation that came from being a brown Muslim “other.” He embraced democracy and liberal capitalism even as he bore witness to Western islamophobia and political hypocrisy—not only in Europe, but also among British and American colleagues in an Abu Dhabi newsroom. Rather than succumb to his politically disillusioned father’s despair, the author discovered that he could exist as a Muslim in any space, Western or Middle Eastern, “without feeling either beholden to or victimized by the West.” Thoughtful, imaginative and erudite, Rakha’s book offers a vision of Arab-Muslim identity based in tolerance, diversity, and pride in global citizenship.

A bold and timely collection that artfully challenges Arab-Muslim stereotypes.

Pub Date: Sept. 15, 2026

ISBN: 9781644454152

Page Count: 256

Publisher: Graywolf

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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