A remarkably beautiful story of the agony of loss and injustice.
Yun-Yun’s novel, based on true events, tells the story of a boat accident, as seen through the eyes of one victim’s sibling.
On April 16, 2014, the ferry MV Sewol capsized off the coast of South Korea, resulting in the deaths of more than 300 passengers, including 250 students and 11 teachers on a high school field trip. False reports that the passengers and crew had been rescued, and the lateness of the South Korean coast guard’s rescue efforts, led to a national outcry. This real-life tragedy is the backdrop for this novel, in which 24-year-old Park Yun-young reels from the loss of her 29-year-old sister, Mi-na, whom she calls Unnie (“older sister” in Korean), a teacher who died aboard the Sewol. The story begins with Yun-young retracing the steps that Unnie took in life—revisiting the school she attended, her dormitory, and the cubicle where she tirelessly studied to pass the national exam required to become an educator. At each stop, Yun-young crosses paths with people who knew her sister or who also had a loved one on the Sewol. Shifting back and forth between the present day and memories of Unnie, the narration has a dreamlike quality that heightens its sense of bittersweet nostalgia. Along the way, the author slowly reveals the timeline of events immediately prior to, during, and after the disaster. In one notable scene, months after the ferry’s sinking, Unnie’s suitcase is recovered from the muddy waters, and Yun-young and her family gather in their living room to open it and sift through its contents. Lifting the silt-soaked clothes out, piece by piece, Yun-young’s mother runs to fill a basin with water and stomps the mud out of Mi-na’s possessions, as if to rinse the horror from her daughter’s memory: “Yun-young can hear Mom’s muffled screams as she yells for the dirt to get off, to get off Unnie. The water sloshes for a long time.” The poetic force of the prose enhances the interplay between the past and present, blending them into a familiar, nonlinear pattern of grief.
A remarkably beautiful story of the agony of loss and injustice.Pub Date: April 11, 2024
ISBN: 9791198565105
Page Count: 212
Publisher: Libre Books
Review Posted Online: Feb. 19, 2024
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: yesterday
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
