With an ending that’s more hopefully ever after than happily, it’ll satisfy fans of 1980s-style coming-of-age stories who...

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MADNESS

After her release from the mental hospital where she was treated after a suicide attempt, Brooke Danvers feels as if a part of her actually died while the rest was scooped out of the Black River by the old man who saw her jump in.

Her mother’s emphatically chipper, and her father’s standoffish, but her best friend, Duckie, is pitch-perfect in his support, protective of her and firm with her when she needs it. And though he’s got his eye on their fellow drama-department regular Tucker, he puts his friendship with Brooke first. A new guy, Derek, catches her eye, and she learns he also attempted suicide, which creates a bond that leads to a lightning-fast relationship. Derek is the stereotypical aqua-eyed, leather-clad, motorcycle-riding, guitar-playing, abusive, white bad boy that charms the inexperienced white girl, but in this story, Brooke breaks teen-lit convention by not being overcome by dangerous behavior. Issues of consent, stalking, violence, and tragic endings are met with a strong, negative response from Brooke and her friends. Though the prose suffers somewhat from reliance on eyebrow-peaking, lip-biting, and eye-rolling, the careful handling of suicidal ideation and abuse elevates it overall. The primary cast is largely white, but comfortably queer characters abound. An author’s note with resources precedes the story.

With an ending that’s more hopefully ever after than happily, it’ll satisfy fans of 1980s-style coming-of-age stories who wish the girls in them were more willing to walk away from abusive boys. (Fiction. 14-18)

Pub Date: Sept. 19, 2017

ISBN: 978-0-06-245785-1

Page Count: 304

Publisher: HarperTeen

Review Posted Online: June 14, 2017

Kirkus Reviews Issue: July 1, 2017

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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