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MADE FOR ME

New dads will eat this up.

A giant hulk of a man describes his emotions as his child captures his heart.

“On the day you were born, I beamed with pride. / My eyes filled with tears. I joyfully cried. / From the moment I saw you and called out your name, / the world as I knew it was never the same.” The rest of the book proceeds to demonstrate just how thoroughly this tot has their father wrapped around their finger and shows the dad lovingly caring for his growing child’s every need: bottles, diapers, soothing, tickling, feeding, bathing, playing, reading, and exploring the world. While the rhyme and rhythm aren’t always spot-on and one illustration depicts a crib instead of the cradle referred to in the text, there is no denying the appeal of this father-child pair, as their bond is more than apparent. The dichotomy between the tiny redheaded tot and the giant lumberjack–look-alike dad—red plaid shirt, blue jeans, full red beard and mustache, and tiny head perched atop a round body with tree-trunk forearms—both white, adds to the sweet sentimentality (sometimes slipping into saccharine) of this book. While young children may relish the opportunity to use this as a springboard for hearing about their own babyhoods with their dads, new fathers are just as likely an audience, the sweet refrain—“Of all the children that ever could be, / you are the one made just for me”—tugging at heartstrings.

New dads will eat this up. (Picture book. 3-7)

Pub Date: Feb. 1, 2018

ISBN: 978-1-945547-69-0

Page Count: 32

Publisher: Familius

Review Posted Online: March 17, 2018

Kirkus Reviews Issue: April 1, 2018

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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