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EMPIRE STATE OF MIND

HOW JAY-Z WENT FROM STREET CORNER TO CORNER OFFICE

Aside from some dirt-dishing by former colleagues and some specifics about the extent of Jay-Z’s fortune, the book doesn't...

In his debut, former Forbes reporter Greenburg offers a gossipy, middling Jay-Z bio/business study.

According to some calculations from the author, the rapper/entrepreneur is worth a whopping $450 million. The story of how the tongue-twisting lyricist built himself up from a drug dealer to one of the world's most recognizable, respected entertainment hyphenates is inspirational, but it’s a well-worn story. The author makes a gallant effort to appeal to both the casual music fan and the hardcore hip-hop listener, but he can’t quite pull it off. The story of Jay-Z-as-businessman is better suited to a magazine article, and Greenburg injects far too much filler into the narrative. The author periodically interjects himself into the interviews, and while his writing is solid, his appearance in the pages adds very little to the proceedings. Had he structured the book as a personal quest to find the “real” Jay-Z—an intriguing exercise in stunt journalist—it could have been special. Readers interested in the Jigga should check out his inventive, stellar autobiography, Decoded (2010). Though it doesn’t offer the nuts and bolts of how the rapper made the leap from the street corner to the corner office (now there’s a corny subtitle), it provides a potent glimpse of the heart of the man, which isn’t the case here.

Aside from some dirt-dishing by former colleagues and some specifics about the extent of Jay-Z’s fortune, the book doesn't offer anything of substance that can't be found elsewhere.

Pub Date: March 17, 2011

ISBN: 978-1-59184-381-8

Page Count: 240

Publisher: Portfolio

Review Posted Online: Dec. 29, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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