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A-LIST ANGELS

HOW A BAND OF ACTORS, ARTISTS, AND ATHLETES HACKED SILICON VALLEY

Solid business writing that will interest budding moguls.

The Forbes senior editor of media and entertainment takes a look at modern show business–based entrepreneurship.

Hollywood has always had its business-minded celebrities: Think of Fess Parker, who bought up vast swaths of Southern California real estate, or Roy Rogers, who built a restaurant chain in his name. The new breed, writes Greenburg, is likelier to invest in intangibles and speculative tech-based ventures. One to whom he pays particular attention is Ashton Kutcher, who built a considerable fortune playing film characters such as, fittingly enough, Steve Jobs and starring in one of the most popular series on TV, earning him the highest salary in the business. With a partner, Kutcher founded an investment fund worth $30 million in 2010 that soon grew to more than $250 million. The author credits him with doing his own homework and following an investment philosophy: “look for companies solving a real problem…and consider unglamorous sectors.” It’s a philosophy that other celebrities, from Shaquille O’Neal to Jennifer Lopez and a small army of hip-hop stars, have taken to following. Examples include investment in a Los Angeles–based “company that makes companies,” software that rounds up purchases and invests the change in index funds, and a “Fitbit for cows” that tracks a bovine critter’s reproductive health and other issues. Having celebrity spokespeople and investors helps, but the companies Greenburg profiles are absolutely on track in solving real problems, even if they are sometimes real problems that most of us don’t have—e.g., how to snag a seat on a charter jet in the same way an earthbound traveler summons a rideshare driver. Though at heart his book is an extended magazine article, there’s plenty of interest here, especially when the author looks at inventive philanthropy such as Matt Damon’s Water.org, which brings plumbing to poor communities but also works “to create venture funds that generate low single-digit returns by giving cheap microloans.”

Solid business writing that will interest budding moguls.

Pub Date: March 10, 2020

ISBN: 978-0-316-48508-1

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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