Readers will be excited to see where Omar’s imagination will take him next.
Omar, a British Pakistani boy, and his family have just moved to a new home in London, where he will be starting at a new school.
Omar worries about a lot of things, especially “walking into a brand-new classroom with everyone watching and a teacher who might or might not be an alien zombie.” He has a little brother and an older sister, and his mom and dad are both scientists. (Published in the U.K. in 2019, the text has been Americanized for the U.S. edition.) Omar has a huge imagination that helps him get through difficult situations, envisioning, for instance, “a better way to get to school…on a SUPER-Awesome, Magnificent DRAGON.” Mafaridik creatively embellishes the text with sketches and a variety of display types. At his new school, Omar makes friends with Charlie but also meets Daniel, a bully. (Both boys present White.) Omar does not tell his mom because he does not want her to worry, instead using humor and creativity to escape Daniel’s cruelty. Mian seamlessly weaves Islamic values and teachings through Omar’s chatty narration. At prayer in the mosque, “we went into Rukhu. That’s when your hands are on your knees.…Then we went into Sujood.” These descriptions and definitions are consistent and brief throughout, moving with the flow of the story. While the story’s tone is light, anti-Muslim sentiment is acknowledged and integrated into the narrative.
Readers will be excited to see where Omar’s imagination will take him next. (Fiction. 8-12)Pub Date: Feb. 4, 2020
ISBN: 978-0-593-10921-2
Page Count: 224
Publisher: Putnam
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
BOOK REVIEW
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
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