A challenging yet inspiring portrait of the resilience of Black families.
From the time she's 6 years old, Lottie Rebecca Lee, the namesake of both her grandmother and great-grandmother, is haunted by the spirits of seven generations of ancestors as she struggles to make sense of her family’s intergenerational trauma.
From a young age, Lottie Rebecca says, she knew that what she “was experiencing about living and what other people were experiencing were different dimensions of remembering.” Lottie Rebecca’s visions begin with her great-great-great grandmother’s capture by slave traders in the Congo and move on to the hot Mississippi tobacco fields where her grandfather Bennie grew up under the violent hand of his father, “Old Deddy,” and his desperate mother, Lottie, who danced at Mr. Genorette’s tavern as she tried to save enough money to escape their plight. Lottie Rebecca also observes the experiences of Bennie and his son, B.J., her father, during the Korean and Vietnam wars and the hidden battles with PTSD, violence, and addiction that follow them home. Tracing the family's trauma through the decades and the path to healing through storytelling, the novel recalls Octavia Butler’s Kindred in its innovative approach to time and its rendering of history in ways that are immediate to the modern reader and Toni Morrison’s Beloved in its exploration of haunting, trauma, and family identity. The novel seems to embody the past more fully than it does the present, though, and as a result loses some of its narrative power as it arrives at its hopeful yet somewhat attenuated conclusion. While the novel does remain cohesive, more of the urgency that characterized its beginning would have propelled it from being very good to great.
A challenging yet inspiring portrait of the resilience of Black families.Pub Date: July 4, 2023
ISBN: 9780063160958
Page Count: 272
Publisher: Amistad/HarperCollins
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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