A challenging yet inspiring portrait of the resilience of Black families.
From the time she's 6 years old, Lottie Rebecca Lee, the namesake of both her grandmother and great-grandmother, is haunted by the spirits of seven generations of ancestors as she struggles to make sense of her family’s intergenerational trauma.
From a young age, Lottie Rebecca says, she knew that what she “was experiencing about living and what other people were experiencing were different dimensions of remembering.” Lottie Rebecca’s visions begin with her great-great-great grandmother’s capture by slave traders in the Congo and move on to the hot Mississippi tobacco fields where her grandfather Bennie grew up under the violent hand of his father, “Old Deddy,” and his desperate mother, Lottie, who danced at Mr. Genorette’s tavern as she tried to save enough money to escape their plight. Lottie Rebecca also observes the experiences of Bennie and his son, B.J., her father, during the Korean and Vietnam wars and the hidden battles with PTSD, violence, and addiction that follow them home. Tracing the family's trauma through the decades and the path to healing through storytelling, the novel recalls Octavia Butler’s Kindred in its innovative approach to time and its rendering of history in ways that are immediate to the modern reader and Toni Morrison’s Beloved in its exploration of haunting, trauma, and family identity. The novel seems to embody the past more fully than it does the present, though, and as a result loses some of its narrative power as it arrives at its hopeful yet somewhat attenuated conclusion. While the novel does remain cohesive, more of the urgency that characterized its beginning would have propelled it from being very good to great.
A challenging yet inspiring portrait of the resilience of Black families.Pub Date: July 4, 2023
ISBN: 9780063160958
Page Count: 272
Publisher: Amistad/HarperCollins
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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