by Zoey Abbott ; illustrated by Zoey Abbott ‧ RELEASE DATE: July 15, 2025
A sly seasonal pick for kids craving a dash of agency alongside their dress-up.
A precocious child conjures up a startling alternative to the cutesy costumes of Halloweens past.
“Last year I was a bunny. The year before that I was a mouse.” Indignant after a string of “utterly adorable” Halloween costumes, a rosy-cheeked, black-haired girl with skin the white of the page declares, “My days of adorable are over and done! Because…this year, a witch!” Readers are privy to the process as the impish and expressive witch fully embraces her role. She’s “enlisted the help of an assistant” (her cat) and has been busy “whipping up spells and collecting things for my brew.” Witches are powerful—look out, or she’ll turn you to stone!—and exceedingly independent. As she says, “Witches don’t need their lovies. Or daddies. Or naps,” though a patient grown-up proves helpful with mundane tasks like costume-sewing. Multimedia and Risograph illustrations make magical use of both generous white space and full-bleed spreads and feature vibrant pops of modern Halloween hues, including violet and acidic green. Playfully paced page turns reveal a visual transformation more frightening than even the young witch bargains for, but concise text with emphatic typography keeps the theatrical tone kind-spirited; Abbott perfectly captures youngsters’ often-warring desires for autonomy and reassurance.
A sly seasonal pick for kids craving a dash of agency alongside their dress-up. (Picture book. 4-7)Pub Date: July 15, 2025
ISBN: 9781665956024
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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