Not Hurston at her best, though completists will certainly take interest in her story.
A long-lost manuscript from the pioneering folklorist, anthropologist, and student of Black history.
Following on Moses, Man of the Mountain (1939), Hurston spent years studying the life of Herod the Great, the famed Jewish leader. Her editor rejected the resulting book, which wound up in a trunk and then, following her death, in flames—the trunk burned by a crew hired to clear out her house—and miraculously rescued by a passing sheriff’s deputy who knew she was a writer. Hurston had two apparent purposes: She wished to chronicle “the 3,000 years struggle of the Jewish people for democracy and the rights of man,” and she saw in Herod’s alliance with Rome a metaphor for the Cold War struggle between Russia and the United States. While many ancient sources portray Herod as a tyrant, anticipating the fiercer denunciation of his son as the scourge of both Jesus Christ and John the Baptist, Hurston builds on other accounts; in particular, she rejects the charge that a monstrous Herod ordered “the massacre of the innocents,” instead insisting that “he was beloved by the nation.” The Herod of her story is a smolderingly handsome man suitable for a romance novel, which earns him the attention of a lustful and decidedly bad Mariamne, who repaid his blandishments by plotting his death, bringing it instead on herself: “Mariamne was dead. Dead. Never to burn away annoyances with her hot, soft body.” Hurston sometimes writes with a kind of high-gothic-romance seriousness (“My own father is at fault for beseeching Caesar to reinstate this treacherous Hyrcanus in the priesthood”), mixing in charming if perhaps not quite appropriate Southernisms (“Cleopatra knew more ways to kill a cat besides choking it to death on butter”). Altogether, the manuscript, while an interesting historical document, lacks the polish of Hurston’s classic books, such as Dust Tracks on a Road and Their Eyes Were Watching God.
Not Hurston at her best, though completists will certainly take interest in her story.Pub Date: Jan. 7, 2025
ISBN: 9780063161009
Page Count: 368
Publisher: Amistad/HarperCollins
Review Posted Online: Dec. 11, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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