Thomas polishes up nine anecdotes and pourquoi tales collected by Hurston, but only recently rediscovered (along with hundreds more) and published in a collection for adults. Originally transcribed in dialect, their regional flavor has been toned down, but not completely erased: when Porpoise outraces the Sun, for instance, God says, “Aw, no, this ain’t gonna do!” and fixes Porpoise’s tail “on crossways.” Sandwiched between not-quite-identical versions of “Why the Buzzard Has No Home,” these short tales of rivalry (“Why the Dog Hates the Cat”), friendship (“Why Frog Got Eyes and Mole Got Tail”), and troubles explained (“Why Flies Get the First Taste”) will appeal to readers and tellers alike for their simplicity, humor, and action. To all of this, Collier adds an unexpected, but not overdone, layer of visual complexity with painted collages in which easily recognizable animals and background features, abstract forms, and swirls of color coexist. Younger audiences might not know Hurston as a folklorist; here’s help for that, in an inviting mix of new tales and familiar ones made fresh. (Folk tales. 7-10)
Pub Date: April 1, 2004
ISBN: 0-06-000643-9
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2004
Go adventuring with a better guide.
Find something to do in every state in the U.S.A.!
This guide highlights a location of interest within each of the states, therefore excluding Washington, D.C., and the territories. Trivia about each location is scattered across crisply rendered landscapes that background each state’s double-page spread while diminutive, diverse characters populate the scenes. Befitting the title, one “adventure” is presented per state, such as shrimping in Louisiana’s bayous, snowshoeing in Connecticut, or celebrating the Fourth of July in Boston. While some are stereotypical gimmes (surfing in California), others have the virtue of novelty, at least for this audience, such as viewing the sandhill crane migration in Nebraska. Within this thematic unity, some details go astray, and readers may find themselves searching in vain for animals mentioned. The trivia is plentiful but may be misleading, vague, or incorrect. Information about the Native American peoples of the area is often included, but its brevity—especially regarding sacred locations—means readers are floundering without sufficient context. The same is true for many of the facts that relate directly to expansion and colonialism, such as the unexplained near extinction of bison. Describing the genealogical oral history of South Carolina’s Gullah community as “spin[ning] tales” is equally brusque and offensive. The book tries to do a lot, but it is more style than substance, which may leave readers bored, confused, slightly annoyed—or all three. (This book was reviewed digitally with 12.2-by-20.2-inch double-page spreads viewed at 80% of actual size.)
Go adventuring with a better guide. (tips on local adventuring, index) (Nonfiction. 8-10)Pub Date: Oct. 6, 2020
ISBN: 978-0-7112-5445-9
Page Count: 112
Publisher: Wide Eyed Editions
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
Mama God, Papa God ($15.95; Apr. 26; 32 pp.; 1-56656-307-0): The creation story takes a whimsical Caribbean turn in a seamless blend of religion and folk-art set in Haiti. Tired of living in darkness, Papa God creates light, then goes on to make the world as a beautiful gift for Mama God. Together, they design a detailed world filled with brilliance, love, and humor. Highly stylized illustrations rich in primary colors show the progress of creation as animals, birds, water, fish, wind, and rain take their place in the world. This unusual rendition of the creation tale sings to a calypso beat and gives a strikingly different and exuberant interpretation of how the world began. (Picture book. 3-8)
Pub Date: April 26, 1999
ISBN: 1-56656-307-0
Page Count: 32
Publisher: Interlink
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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