Carlotta Brentan gives a fine narration of this saga of Hollywood in the '30s and '40s. With her father in prison for anti-fascist activities in Italy, Maria, along with her mother, moves to an Italian neighborhood in Los Angeles. Maria becomes a secretary for the head of Mercury Pictures, Artie Feldman. Her secret romance with an Asian actor is disrupted when part of her past, in the person of an Italian immigrant, catches up with her. Brentan slips easily in and out of a variety of accents. She keeps the family's secrets well hidden and underplays the occasionally florid text. But the story is familiar, and the characters are stereotypes, especially Feldman, who behaves like every wheeler-dealer producer from every old Hollywood movie about Hollywood.
Pub Date: Aug. 2, 2022
Duration: 14 hrs
DD ISBN: 9780593416372
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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