What if you could live a double life? Or what about a different life for each day of the week? This quirky speculative novel, joyously narrated by Fleur De Wit, investigates the concept of multiple lives. De Wit's clever, sharp-tongued narration sounds more like a chat with your best friend than a thinly veiled commentary on psychological dissociation. De Wit's voice links each version of the main character, Kinga, despite their being at war with each other. But who is Kinga? Is she troubled? Does she have multiple-personality disorder? Is this a retelling of the biblical tale of the seven unclean spirits? Oyeyemi herself quotes that gospel early on in the bossy voice of the first Kinga. Perhaps the charismatic Kinga escapes strict classification--perhaps we all do.
Pub Date: Aug. 26, 2025
Duration: 6 hrs, 45 mins
DD ISBN: 9798217015467
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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