Books by Jack Dann

Jack Dann is a multiple award winning author who has written or edited over sixty books, including the groundbreaking novels Junction, Starhiker, The Man Who Melted, The Memory Cathedral—which is an international bestseller—the Civil War novel The Silent,

Released: Sept. 6, 2011

"Clever and often impressive work that succeeds, mostly, in being more than a mere exercise in nostalgia."
Seventeen all-new tales emulating, or re-creating, the ambience of classic Victorian supernatural suspense. Read full book review >
Released: March 1, 2005

"Dann's introduction and story notes are knowledgable, graceful and to the point: here's another for the fan's bookshelf."
Title notwithstanding, a collection of the 2004 Nebula winners, chosen by the members of the Science Fiction and Fantasy Writers of America. Read full book review >
THE REBEL by Jack Dann
Released: Aug. 1, 2004

"Relentlessly trashy and profane, name-dropping and scandal-mongering."
Veteran novelist Dann (Counting Coup, 2001, etc.) wonders how different things might have been if James Dean had survived his 1955 automobile accident. Read full book review >
Released: Aug. 1, 2003

"Rapturous fantasy, few chills."
Thirty-three original horrifics from America, Great Britain, and Australia, some from established stars, others from hot new supernovas, as chosen by an editor from each land mass. Read full book review >
Released: Dec. 1, 2001

"Though heavy with New Age pop psychology, Dann makes a story soar as he finds common ground between the complicated animism of Indian spirituality and the gritty, manic desperation of angry old men out to avenge themselves on their youth."
A failed medicine man and an ex-Marine abandoning his family try to break every rule on a cross-country road trip during which heyoka—the Indian word for being contrary, irresponsibly antisocial, or going plain crazy—leads to mystical revelations, forgiveness and redemption. Read full book review >
Released: Feb. 1, 2001

A beefy anthology of 31 original tales from Australia. Names that US fans are likely to recognize include Sean Williams, Cherry Wilder, Damien Broderick, Stephen Dedman, David J. Lake, Jane Routley, Terry Dowling, the late great George Turner, Isobelle Carmody, Sarah Douglass, and Sean McMullen. First published in Australia in 1998, and winner of the 1999 Word Fantasy Award for Best Anthology, this would seem to be a top-notch compendium. However, for reasons beyond conjecture, the publishers were unable to convey a copy to Kirkus in time for a full advance review. So if you want to know why you didn't read it here first—inquire of the publisher.Read full book review >
THE SILENT by Jack Dann
Released: July 13, 1998

A ferocious portrait of the Civil War's human toll. Dann (The Memory Cathedral, 1995, etc.) isn't much concerned here with causes or outcomes. His gruesome chronicle of the suffering of 14-year-old Edmund McDowell, caught up in the efforts of —Stonewall— Jackson to defeat a Federal Army in 1862, is clearly intended to remind us that the Civil War was as brutal as any other war. Mundy disobeys his minister father and goes in search of a skirmish, hoping to watch his hero Stonewall chase the Yankees out of his valley. Instead he stumbles into the midst of a rout, finds the body of a longtime acquaintance who had been searching for him, and arrives home in time to see Union deserters shoot his father and rape and murder his mother. Sick and disoriented, Mundy wanders in and out of the battle lines. Made a prisoner, he's compelled for a time to work in a Union field hospital, witnessing almost unimaginable horrors. Escaping, he falls in briefly with a band of renegade slaves, and after leaving them becomes the companion of a deranged Confederate cavalryman. Despite Mundy's efforts to escape both his memories and the ever-widening war zone, he inevitably finds himself back in the middle of the slaughter. There is no doubt that Dann captures, in a way few other novelists have, the sheer bloody chaos of battle in the Civil War. Scenes of carnage and madness—with Mundy ravaged by fever, prone to hallucinations, or convulsed by grief—linger in the mind. But the conceit of writing the book as Mundy's memoirs doesn't work; it isn't likely that any 19th-century teenager would have said all the things Mundy does here. And the narrative is finally too long, too repetitive, as if the author didn—t trust the reader to grasp how awful war is. Still, Dann's anger, and his portrait of combat's sheer horrors, make for a vivid—and disturbing—read. Read full book review >
NEBULA AWARDS 32 by Jack Dann
Released: April 17, 1998

paper 0-15-600552-2 The 1996 awards, as voted by the Science Fiction and Fantasy Writers of America. Esther M. Friesner ("A Birthday") carried off the Best Short Story Award for the second year running; Bruce Holland Rogers captured the Best Novella Award with "Lifeboat on a Burning Sea"; and editor Dann's "Da Vinci Rising," a spinoff from his alternate-world novel The Memory Cathedral (1995), claimed Best Novelette. Best Novel winner Nicola Griffith (Slow River) is represented by her 1995 novella finalist, "Yaguara." Finalists Harry Turtledove, Dean Wesley Smith, Paul Levinson, and Jonathan Lethem also appear, as do Rhysling Award (poetry) winners Marge Simon and Bruce Boston. "The Men Return" represents Grand Master winner Jack Vance, while Robert Silverberg and Terry Dowling sing his praises. Bill Warren heroically watched all the year's movies. Also, nonfictionally, Lucius Shepard gloomily records the death of literary science fiction; Norman Spinrad gets hissy about authors who rent out their creations ("evil stuff"); and Elizabeth Hand growls that fiction itself has become "a barrio of the entertainment industry." Keith Ferrell tracks sf via the Web; Robert Frazier recites sf poetry; Ian Watson keeps a stiff British upper lip; and cobbers Terry Dowling and Sean McMullan do Australia. Read. Enjoy. Just don't mention "franchising" if Norman Spinrad's within earshot. Read full book review >
Released: Dec. 1, 1995

After more than a decade's absence, Dann (The Man Who Melted, 1984, etc.) returns with a big, ambitious historical fantasy based on the career of Leonardo da Vinci. A frame story begins with Leonardo on his deathbed, searching over the memories he's stored in a large imaginary cathedral—a method of enhancing memory practiced by many Renaissance thinkers. His entrance into the cathedral takes him back, in memory, to the years of his apprenticeship in Florence. There, we find the 25-year-old Leonardo establishing a reputation as artist and engineer and falling in love with a young woman betrothed to a wealthy older man. He's also working on plans for a flying machine, and the Medicis, who are planning war against the papal states, have expressed an interest in its military potential. Just as he appears to have his foot on the ladder to success, it is yanked out from under him: An anonymous accusation subjects him to a trial for sodomy and kills his hopes for advancement. At this point, Dann takes advantage of a gap in the known details of Leonardo's life, and sends him to the Orient—as military advisor to the Caliph of Syria, employing his inventions (including the flying machine, which finally works) in war against the Turks. It's here that the story reaches its most fantastic heights, with a profusion of exotic detail (the chapters on Italy are no less detailed, but the background is perhaps more familiar). At the same time, we see Leonardo facing the consequences of the inventions that, in real life, he saw only as sketches that his patrons ignored. Historical facts and conjectures are seamlessly woven together, and the cast of characters is a Renaissance Who's Who. The author's return reveals a new maturity and imaginative scope only hinted at in his earlier work. An impressive accomplishment. Read full book review >
HIGH STEEL by II Haldeman
Released: July 1, 1993

Grab-bag of a yarn involving Native Americans, aliens, artificial intelligence, and covert corporate warfare, from Haldeman (Vector Analysis, 1978) and Dann (The Man Who Melted, 1984; More Wandering Stars, 1981, etc.). In the medium future, two corporations, Trans-United and Macro, now dominate the Earth and—somehow—have enslaved America's native peoples, forcing them to go into space as construction workers, or to disappear as Sleepers in illegal hibernation trials. John Stranger, on the verge of becoming a medicine man, is taken into space, where—thanks to his astonishing intuitive ability to make correct decisions—saves a Trans-United station from an attack by Macro. Back on Earth, meanwhile, Stranger's mentor, Leonard Broken-finger, has contacted some aliens via the spirit world; the same aliens have beamed a coded message to Earth carrying a secret of a faster-than-light space drive. Unknowingly, Stranger has helped build a ship with such a drive; it's commanded by Einstein, a computer-intelligence genius. Macro, by plotting, assassination, and subversion, seize Einstein—or so they think—with Stranger still on board. Hereafter, matters become steadily less intelligible and coherent. The mysterious aliens never show up. Lots of people die in untimely fashion. Dazzling ideas caught up in a hopelessly confused swirl of a plot—along with a curious backdrop that here gleams with polish, there crumbles at a touch. Many impressive and tantalizing parts, but no satisfying whole. Read full book review >