Rapturous fantasy, few chills.

GATHERING THE BONES

ORIGINAL STORIES FROM THE WORLD’S MASTERS OF HORROR

Thirty-three original horrifics from America, Great Britain, and Australia, some from established stars, others from hot new supernovas, as chosen by an editor from each land mass.

Not since reading a tale by Clark Ashton Smith in his teens, about some abominable velvety black brain-eaters clinging to the ceiling of a cave into whose darkness the hero must go has this reader experienced “horror” in fiction, that is, a pure state or affect divorced from the supernatural, weird, SF, or dark fantasy. Can it be that nothing that sets out to horrify ever does? Horror comes in the backdoor and is unexpected, though shock cuts in movies, such as the dead twin daughters standing in a deserted hotel hallway in Kubrick/King’s The Shining, can have one jump in the seat the first time one sees the film. This sheaf kicks off brightly with Steve Nagy’s “The Hanged Man of Oz,” about a new figure discovered in the Judy Garland movie, a hanged man in the woods where the live trees are tricked into giving up their apples. And Dorothy and the Tin Man and Scarecrow, as well as the Wicked Witch, are not the characters you thought they were. Fun and inventive, yes, but horrifying? Not really. Kim Newman’s truly brilliant chunka kafka, “The Intervention,” opens with a man coming into his office and being faced with an AA–like intervention, enjoined by his family and officemates, all his keys taken from him, his computer codes and credit cards revoked, cell phone snicked in half. Humiliatingly, even his kids sign him away, in crayon, as he’s stripped naked and put into an ambulance. All of this—for what reason? In “Blake’s Angel,” by Janeen Welsh, the poet Blake Williams, suffering from poet’s block, buys a captured angel from a grimy angel-trader and takes it home to his grubby apartment for inspiration. Also on hand: Ray Bradbury, the late Cherry Wilder, Tim Waggoner, Gahan Wilson, Graham Joyce, and others.

Rapturous fantasy, few chills.

Pub Date: Aug. 1, 2003

ISBN: 0-765-30179-2

Page Count: 448

Publisher: Tor

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2003

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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